| Record ID | marc_columbia/Columbia-extract-20221130-007.mrc:64265017:2618 |
| Source | marc_columbia |
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LEADER: 02618mam a22003735a 4500
001 3050420
005 20221019205133.0
008 000901t20012001ctua b 001 0 eng
010 $a 00043972
020 $a0300081553 (cloth : alk. paper)
020 $a9780300081558 (cloth : alk. paper)
020 $a0300105908 (paper)
020 $a9780300105902 (paper)
035 $a(OCoLC)ocm45002105
035 $9ATL7956CU
035 $a(NNC)3050420
035 $a3050420
040 $aDLC$cDLC$dC#P$dNNU$dOrLoB-B$dNNC
042 $apcc
043 $an-us---
050 00 $aN6512.5.M5$bM49 2001
082 00 $a709/.73/09046$221
100 1 $aMeyer, James Sampson,$d1962-$0http://id.loc.gov/authorities/names/nr98002930
245 10 $aMinimalism :$bart and polemics in the sixties /$cJames Meyer.
260 $aNew Haven :$bYale University Press,$c[2001], ©2001.
300 $aviii, 340 pages :$billustrations (some color) ;$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 317-326) and index.
505 00 $g1.$tspring 1966.$ta tour of "Primary Structures" --$g2.$t1959-1962.$tthe early years --$g3.$t1963.$tthe emergence of Judd and Morris.$tTruitt and Andre Emmerich --$g4.$t1964.$tintroduction to the "minimal" 1: "Black, White, and Gray"$tintroduction to the "minimal" 2: "Everyman's Infinite Art": Di Suvero's Attack.$tintroduction to the "minimal" 3: the art student's doubt.$tFlavin, Judd, and Stella interviewed.$tenter Flavin; "Eleven Artists"$t"8 Young Artists"$tMorris's playwood show --$g5.$t1965.$t"Shape and Structure: 1965": the fight for Stella's "Soul"$tAndre's styrofoam show: Sculpture-as-Place.$t"Specific Objects"$t"Minimal Art" and "ABC Art": popularization of the "minimal" --$g6.$t1966.$tMorris's "Notes on Sculpture"$tthe serial attitude: Judd at Castelli, "Systemic Painting," and the Finch Shows.$tseriality as negation.$tAndre's brick show.$tLeWitt at the Dwan Gallery: displacement into conceptualism --$g7.$t1967: The Critiques of Greenberg and Fried.
505 80 $t"Recentness of Sculpture": minimalism and "Good Design"$tthe Case for Truitt: minimalism and gender.$tthe aesthetics of doubt: "Art and Objecthood" --$g8.$t1968: Canonization/Critique.$tJudd's Whitney show and Battcock's anthology.$t"The Art of the Real: USA 1948-1968" and the reception abroad.$t"Minimal Art," "Anti Form," and the social critique of minimalism.
650 0 $aMinimal art$zUnited States.
650 0 $aArt, American$y20th century.$0http://id.loc.gov/authorities/subjects/sh85007815
852 80 $bfax$hN6494 M5$iM573