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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-009.mrc:117890150:2952
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-009.mrc:117890150:2952?format=raw

LEADER: 02952cam a2200409 a 4500
001 4082258
005 20221027032027.0
008 030402s2003 mauaf bk 001 0aeng d
015 $aGBA3-X8040
020 $a0306811146
035 $a(OCoLC)52220754
035 $a(OCoLC)ocm52220754
035 $a(CStRLIN)UKBPGBA3X8040-B
035 $a(NNC)4082258
035 $a4082258
040 $aStDuBDS$cStDuBDS$dUk$dCStRLIN$dNNC$dOrLoB-B
043 $an-us---$an-us-ri
082 04 $a781.65092$221
100 1 $aWein, George.$0http://id.loc.gov/authorities/names/n81069187
245 10 $aMyself among others /$cGeorge Wein with Nate Chinen.
250 $a1st Da Capo Press ed.
260 $aCambridge, Mass. :$bDa Capo,$c2003.
300 $axiv, 546 pages, 16 unnumbered pages of plates :|bill. ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aDiscography: p. [523]-525.
504 $aIncludes bibliographical references and index.
520 1 $a"No one has had a better seat in the house than George Wein. The legendary impresario has known some of the most celebrated figures of jazz - from Duke Ellington to Count Basie, and from Thelonious Monk to Miles Davis. As a founder of the Newport Jazz Festival, the Newport Folk Festival, and the New Orleans Jazz and Heritage Festival, Wein has brought a broad spectrum of musical artists to millions, forever changing the cultural landscape of this country.".
520 8 $a"Beginning in 1950 with the opening of Storyville in Boston, Wein presented jazz in a setting respectful of both the musicians and the audience. Since 1954, the Newport Jazz Festival has always reflected Wein's vision and grit, attracting music immortals as well as aspiring young artists to his stage. Over the years, Newport became synonymous with jazz festivals in the United States, and it has served as the model for festivals worldwide.".
520 8 $a"But Myself Among Others is also a personal memoir - of Wein's youth as a Jew in a suburb of Irish Boston, of his time in the Army as their "Number One Fuck Up" (his ability to play piano was the only thing that saved him), of his marriage to an African American woman at a time in history when it was illegal in 25 percent of the country, and of his eventual move to New York City to be closer to the music on which he built his life."--BOOK JACKET.
600 10 $aWein, George.$0http://id.loc.gov/authorities/names/n81069187
650 0 $aJazz musicians$zUnited States$vBiography.$0http://id.loc.gov/authorities/subjects/sh2008106051
650 0 $aPianists$zUnited States$vBiography.$0http://id.loc.gov/authorities/subjects/sh2008109349
650 0 $aImpresarios$zUnited States$vBiography.$0http://id.loc.gov/authorities/subjects/sh2009126797
650 0 $aJazz festivals$zRhode Island$zNewport.
700 1 $aChinen, Nate.$0http://id.loc.gov/authorities/names/no2003054834
852 00 $boff,mus$hML429.W35$iA3 2003g