MARC Record from marc_columbia

LEADER: 02829cam a2200373 a 4500
001 4089238
005 20221027033329.0
008 030520s2003 maua b 001 0 eng
010 $a 2002022770
020 $a0262182270 (hc : alk. paper)
035 $a(OCoLC)49225960
035 $a(OCoLC)ocm49225960
035 $a(NNC)4089238
035 $a4089238
040 $aDLC$cDLC$dDLC$dNNC$dOrLoB-B
042 $apcc
050 00 $aN6537.S6184$bR48 2002
082 00 $a700$221
090 $aN6537.S6184$bR48 2002
100 1 $aReynolds, Ann Morris.$0http://id.loc.gov/authorities/names/n88625941
245 10 $aRobert Smithson :$blearning from New Jersey and elsewhere /$cAnn Reynolds.
260 $aCambridge, Mass. :$bMIT Press,$c2003.
300 $axviii, 364 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $tIntroduction: Culture as a Way of Seeing -- $g1.$tPerceiving Abstraction -- $tThe Alogons -- $tAbstraction's Ambiguities -- $tThe Lessons of Optical Art -- $tPerceptual Enantiomorphs -- $g2.$tNew Jersey -- $tThe Crystal Land -- $tPerspective: The Metropolis -- $tA Guide to the Monuments of Passaic -- $g3.$tTravel as Repetition -- $tA Cartographic Premise -- $tThe Terminal View -- $tYucatan Is Elsewhere -- $g4.$tDirt as Disorder -- $tBuried Architecture -- $tTrespassing -- $tImage Crisis -- $tRobert Smithson's Library.
520 1 $a"Robert Smithson (1938-1973) produced his best-known work during the 1960s and early 1970s, a period in which the boundaries of the art world and the objectives of art-making were questioned perhaps more consistently and thoroughly than any time before or since.
520 8 $aIn Robert Smithson: Learning from New Jersey and Elsewhere, Ann Reynolds elucidates the complexity of Smithson's work and thought by placing them in their historical context, a context greatly enhanced by the vast archival materials that Smithson's widow, Nancy Holt, donated to the Archives of American Art in 1987. The archive provides Reynolds with the remnants of Smithson's working life - magazines, postcards from other artists, notebooks, and perhaps most important, his library - from which she reconstructs the physical and conceptual world that Smithson inhabited.
520 8 $aReynolds explores the relation of Smithson's art-making, thinking about art-making, writing, and interaction with other artists to the articulated ideology and discreet assumptions that determined the parameters of artistic practice of the time."--BOOK JACKET.
600 10 $aSmithson, Robert$xCriticism and interpretation.
600 10 $aSmithson, Robert$vArchives.
700 1 $aSmithson, Robert.$0http://id.loc.gov/authorities/names/n81079907
852 80 $bfax$hND239 Sm69$iR33