| Record ID | marc_columbia/Columbia-extract-20221130-009.mrc:127973131:3028 |
| Source | marc_columbia |
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LEADER: 03028cam a22003858a 4500
001 4089836
005 20221027033425.0
008 030129s2003 xxu | 000 0 eng
015 $aGBA3-Z0297
016 7 $a0826466478$2Uk
020 $a0826466478 :$c£16.99
035 $a(OCoLC)505711954
035 $a(OCoLC)ocn505711954
035 $a(NNC)4089836
035 $a4089836
040 $aStDuBDS$cStDuBDS$dUk$dCStRLIN$dOrLoB-B
041 1 $aeng$hfre
082 04 $a759.2$221
100 1 $aDeleuze, Gilles,$d1925-1995.$0http://id.loc.gov/authorities/names/n79006797
245 10 $aFrancis Bacon :$bthe logic of sensation /$cGilles Deleuze.
260 $aNew York ;$aLondon :$bContinuum,$c2003.
263 $a200304
300 $a240 pages ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aIncludes index.
505 00 $tTranslator's Preface /$rDaniel W. Smith -- $tPreface to the French Edition /$rAlain Badiou and Barbara Cassin -- $g1.$tThe Round Area, the Ring -- $g2.$tNote on Figuration in Past Painting -- $g3.$tAthleticism -- $g4.$tBody, Meat, and Spirit, Becoming-Animal -- $g5.$tRecapitulative Note: Bacon's Periods and Aspects -- $g6.$tPainting and Sensation -- $g7.$tHysteria -- $g8.$tPainting Forces -- $g9.$tCouples and Triptychs -- $g10.$tNote: What Is a Triptych? -- $g11.$tThe Painting before Painting ... -- $g12.$tThe Diagram -- $g13.$tAnalogy -- $g14.$tEvery Painter Recapitulates the History of Painting in His or Her Own Way ... -- $g15.$tBacon's Path -- $g16.$tNote on Color -- $g17.$tThe Eye and the Hand.
520 1 $a"Gilles Deleuze was one of the most influential and revolutionary philosophers of the twentieth century. Francis Bacon: The Logic of Sensation is his long-awaited work on Bacon, widely regarded as one of the most radical painters of the previous century.".
520 8 $a"The book presents a deep engagement with Bacon's work and the nature of art. Deleuze analyzes the distinctive innovations that came to mark Bacon's style: the isolation of the figure, the violent deformations of the flesh, the complex use of colour, the method of chance, and the use of the triptych form.
520 8 $aAlong the way, Deleuze introduces a number of his own famous concepts, such as the 'body without organs' and the 'diagram', and contrasts his own approach to painting with that of both the phenomenological and the art historical traditions.".
520 8 $a"Deleuze links Bacon's work to Cezanne's notion of a 'logic' of sensation, which reaches its summit in colour and the 'colouring sensation'. Investigating this logic, Deleuze explores Bacon's crucial relation to past painters such as Velasquez, Cezanne and Soutine, as well as Bacon's rejection of expressionism and abstract painting."--BOOK JACKET.
546 $aTranslated from the French.
600 10 $aBacon, Francis,$d1909-1992$xCriticism and interpretation.
650 0 $aArt$xPhilosophy.$0http://id.loc.gov/authorities/subjects/sh85007494
852 80 $bfax$hND497 B14$iD372