| Record ID | marc_columbia/Columbia-extract-20221130-009.mrc:236204412:1173 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-009.mrc:236204412:1173?format=raw |
LEADER: 01173cam a22003134a 4500
001 4229203
005 20031215153914.0
008 020308s2003 enkag b 001 0 eng
010 $a 2002018518
035 $a(OCoLC)ocm49305223
040 $aDLC$cDLC$dOCLCQ$dC#P
020 $a0754605159 (alk. paper)
042 $apcc
043 $ae-uk-en
050 00 $aMT55$b.C17 2003
082 00 $a781.2/86$221
049 $aZCUA
100 1 $aCampion, Thomas,$d1567-1620.
245 12 $aA new way of making fowre parts in counterpoint /$cby Thomas Campion ; and, Rules how to compose / by Giovanni Coprario ; edited and with an introduction by Christopher R. Wilson.
246 3 $aRules how to compose
260 $aAldershot ;$aBurlington, VT :$bAshgate,$cc2003.
300 $ax, 122 p. :$bill., music ;$c25 cm.
440 0 $aMusic theory in Britain, 1500-1700
504 $aIncludes bibliographical references (p. [117]-119) and indexes.
650 0 $aCounterpoint.
650 0 $aMusic theory$zEngland$xHistory$y17th century.
700 1 $aWilson, Christopher R.,$d1952-
700 12 $aCoperario, John,$d1570 (ca.)-1626.$tRules how to compose.
852 0 $boff,mus$hMT55$i.C17 2003