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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-009.mrc:249663887:4861
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-009.mrc:249663887:4861?format=raw

LEADER: 04861cam a2200637Ia 4500
001 4240335
005 20210302171628.0
006 m o d
007 cr mn|||||||||
008 030102s2001 nyua ob 001 0 eng d
010 $z 00046732
035 $a(OCoLC)ocm51296911
035 $a(NNC)4240335
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020 $a0511019319$q(electronic bk.)
020 $a9780511019319$q(electronic bk.)
020 $z0521781078$q(hardback)
020 $z9780521781077$q(hardback)
020 $z0521543983$q(pbk.)
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043 $ae-fr---
050 4 $aML410.F27$bC33 2001eb
070 $aML410.F27$b(INTERNET)
072 7 $aMUS$x050000$2bisacsh
082 04 $a780/.92$221
049 $aZCUA
100 1 $aCaballero, Carlo.
245 10 $aFauré and French musical aesthetics /$cCarlo Caballero.
260 $aCambridge ;$aNew York :$bCambridge University Press,$c©2001.
300 $a1 online resource (xi, 333 pages) :$billustrations.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file$2rda
490 1 $aMusic in the twentieth century
504 $aIncludes bibliographical references (pages 308-319) and index.
520 $aThis wide-ranging study of Gabriel Fauré and his contemporaries reclaims aesthetic categories crucial to French musical life in the early twentieth century. Its interrelated chapters treat the topics of sincerity, originality, novelty, self-renewal, homogeneity and religious belief in relation to Fauré's music and ideas. Taking a broad view of cultural life during the composer's lifetime and beyond, the book moves between specific details in Fauré's music and related critical, literary and philosophical issues, ranging from Gounod to Boulez and from Proust to Valéry. Above all, the book connects abstract values to artistic choices and thus places such works as Fauré's Requiem, La bonne chanson, La chanson d'Eve, L'horizon chime;rique, and the chamber music in a new light.--Publisher description.
588 0 $aPrint version record.
505 00 $g1.$tThe question of sincerity --$g2.$tInnovation, tradition --$g3.$tOriginality, influence, and self-renewal --$g4.$tHomogeneity: meaning, risks, and consequences --$g5.$tFaure's religion: ideas and music --$g6.$tFaure the elusive.
546 $aEnglish.
600 10 $aFauré, Gabriel,$d1845-1924$xCriticism and interpretation.
600 17 $aFauré, Gabriel,$d1845-1924.$2fast$0(OCoLC)fst00068091
650 0 $aMusic$zFrance$xPhilosophy and aesthetics.
650 7 $aMUSIC$xIndividual Composer & Musician.$2bisacsh
650 7 $aMusic$xPhilosophy and aesthetics.$2fast$0(OCoLC)fst01030408
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 0 $aElectronic books.
776 08 $iPrint version:$aCaballero, Carlo.$tFauré and French musical aesthetics.$dCambridge ; New York : Cambridge University Press, ©2001$z0521781078$w(DLC) 00046732$w(OCoLC)44979710
830 0 $aMusic in the twentieth century.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio4240335$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS