Record ID | marc_columbia/Columbia-extract-20221130-009.mrc:269145023:5123 |
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LEADER: 05123cam a2200661Ma 4500
001 4245294
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006 m o d
007 cr cn|||||||||
008 000112t19951995cauaf ob 001 0 eng d
019 $a56778367$a166462421$a208902591$a847797162
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100 1 $aKoortbojian, Michael.$0http://id.loc.gov/authorities/names/n93021850
245 10 $aMyth, meaning, and memory on Roman sarcophagi /$cMichael Koortbojian.
260 $aBerkeley :$bUniversity of California Press,$c[1995], ©1995.
300 $a1 online resource (xx, 172 pages, 56 unnumbered pages of plates) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references (pages 147-162) and indexes.
505 0 $aThe Myths -- Adonis's Tale -- Adonis Redivivus -- Endymion's Tale -- Endymion's Fate -- To Sleep, Perchance to Dream -- Myth, Image, and Memory -- The Recognition of Correspondences.
588 0 $aPrint version record.
520 $aIn this study of Roman mythological sarcophagi, Michael Koortbojian unravels the meaning of these ancient funerary monuments and assesses their significance in the broader context of Roman life. As he examines the character and structure of the mythological narratives of Adonis and Endymion, he demonstrates how the stories depicted on these marble sarcophagi were conflated with the lives of those individuals they were intended to recall.
520 8 $aMythology was an evocative force in ancient life and imagery, one that powerfully manifested the complicity between past and present. Stories of the ancient heroes, traditionally regarded as examples of conduct or models for emulation, were elaborated in light of contemporary needs and played a fundamental role in an ongoing process of cultural self-identity. An ancient penchant for analogy, and a Roman appreciation of allusion, provided artists with the rationale to transform the Greek myths they had inherited. As the artists likened one thing to another on the basis of distinctive affinities, they sought to express characteristically Roman themes: the sarcophagus reliefs were sculpted to evoke such correspondences. The seemingly inevitable fate of Adonis, to die in the arms of his lover Aphrodite, might be recast in analogy with the altogether different destiny of Aeneas, who was revived at the hands of this very goddess despite a similar wound.
520 8 $aOr the constancy of Selene's nightly visits to her paramour Endymion might be refigured by emphasis on her departure and allusion to the abandonment of Ariadne by her faithless lover, Theseus. This fascinating study illuminates for us the real function of the sarcophagus imagery: to allow the beholder to draw from these depictions not only the significance of the myths, but also the meanings of the lives they were intended to commemorate. The sculpted marble caskets demonstrate the power of images to preserve something essential of the dead, as well as the role of myth in both the formulation of those memories and the creation of profound and enduring monuments.
650 0 $aSarcophagi, Roman.$0http://id.loc.gov/authorities/subjects/sh85117514
650 0 $aRelief (Sculpture), Roman.$0http://id.loc.gov/authorities/subjects/sh86000019
650 0 $aMythology, Roman, in art.$0http://id.loc.gov/authorities/subjects/sh97002686
650 6 $aSarcophages romains.
650 6 $aRelief (Sculpture) romain.
650 6 $aMythologie romaine dans l'art.
650 7 $aART$xSculpture & Installation.$2bisacsh
650 7 $aMythology, Roman, in art.$2fast$0(OCoLC)fst01031889
650 7 $aRelief (Sculpture), Roman.$2fast$0(OCoLC)fst01093733
650 7 $aSarcophagi, Roman.$2fast$0(OCoLC)fst01105497
650 17 $aSarcofagen.$2gtt
650 17 $aRomeinse oudheid.$2gtt
650 17 $aAdonis.$2gtt
650 17 $aEndymion (Griekse mythologie)$0(NL-LeOCL)14661450X$2gtt
655 4 $aElectronic books.
776 08 $iPrint version:$aKoortbojian, Michael.$tMyth, meaning, and memory on Roman sarcophagi.$dBerkeley : University of California Press, ©1995$z0520085183$w(DLC) 94036581$w(OCoLC)31207171
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio4245294$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS