MARC Record from marc_columbia

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020 $a9780585381350$q(electronic bk.)
020 $a0585381356$q(electronic bk.)
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020 $a0262280256
020 $z0262133628$q(alk. paper)
035 $a(OCoLC)48139518$z(OCoLC)533335194$z(OCoLC)970779869$z(OCoLC)984650381$z(OCoLC)1007379697$z(OCoLC)1053329423$z(OCoLC)1135438014$z(OCoLC)1149513498$z(OCoLC)1162006490$z(OCoLC)1241838793
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072 7 $aARC$x011000$2bisacsh
082 04 $a725/.91/094436109043$221
049 $aZCUA
100 1 $aMorton, P. A.,$eauthor.
245 10 $aHybrid modernities :$barchitecture and representation at the 1931 Colonial Exposition, Paris /$cPatricia A. Morton
264 1 $aCambridge, Mass. :$bMIT Press,$c[2000]
264 4 $c©2000
300 $a1 online resource (ix, 380 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index
520 $aThe 1931 International Colonial Exposition in Paris was a demonstration of French colonial policy, colonial architecture and urban planning, and the scientific and philosophical theories that justified colonialism. The Exposition displayed the people, material culture, raw materials, manufactured goods, and arts of the global colonial empires. Yet the event gave a contradictory message of the colonies as the'Orient'-- the site of rampant sensuality, decadence, and irrationality -- and as the laboratory of Western rationality. In Hybrid Modernities, Patricia Morton shows how the Exposition failed to keep colonialism's two spheres separate, instead creating hybrids of French and native culture. At the Exposition, French pavilions demonstrated Europe's sophistication in art deco style, while the colonial pavilions were'authentic'native environments for displaying indigenous peoples and artifacts from the colonies. The authenticity of these pavilions'exteriors was contradicted by vaguely exotic interiors filled with didactic exhibition stands and dioramas. Intended to maintain a segregation of colonized and colonizer, the colonial pavilions instead were mixtures of European and native architecture. Anticolonial resistance erupted around the Exposition in the form of protests, anticolonial tracts, and a countercolonial exposition produced by the Surrealists. Thus the Exposition occupied a'middle region'of experience where the norms, rules, and systems of French colonialism both emerged and broke down, unsustainable because of their internal contradictions. As Morton shows, the effort to segregate France and her colonies failed, both at the Colonial Exposition and in greater France, because it was constantly undermined by the hybrids that modern colonialism itself produced
546 $aEnglish.
588 0 $aonline resource; title from ebookviewer title page (EBSCOhost, viewed January 26, 2021)
505 00 $gCh. 1.$tLe Tour du Monde en un Jour --$gCh. 2.$tCollecting the Colonies --$gCh. 3.$tChallenging the Exposition: The Anticolonial Opposition --$gCh. 4.$tA Taxonomy of Marginality: The Site --$gCh. 5.$tThe Civilizing Mission of Architecture --$gCh. 6.$tAn Architectural Physiognomy of the Colonies --$gCh. 7.$tNational or Colonial: The Musee des Colonies.
611 20 $aExposition coloniale internationale de Paris$d(1931)$xBuildings.
611 27 $aExposition coloniale internationale de Paris.$2fast$0(OCoLC)fst01406494
650 0 $aExhibition buildings$zFrance$zParis$xHistory$y20th century.
651 0 $aFrance$xColonies$vExhibitions.
650 6 $aExpositions$xConstructions$zFrance$zParis$xHistoire$y20e siècle.
651 6 $aFrance$xColonies$vExpositions.
650 7 $aARCHITECTURE$xBuildings$xPublic, Commercial & Industrial.$2bisacsh
650 7 $aBuildings.$2fast$0(OCoLC)fst00840962
650 7 $aExhibition buildings.$2fast$0(OCoLC)fst00918085
650 7 $aFrench colonies.$2fast$0(OCoLC)fst01930852
651 7 $aFrance$zParis.$2fast$0(OCoLC)fst01205283
650 17 $aWereldtentoonstellingen.$2gtt
650 17 $aGebouwen.$2gtt
650 17 $aModernisme (cultuur)$0(NL-LeOCL)078593638$2gtt
651 7 $aParijs.$2gtt
648 7 $a1900-1999$2fast
655 0 $aElectronic books.
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aMorton, P.A.$tHybrid modernities.$dCambridge, Mass. : MIT Press, 2000$z0262133628$w(DLC) 99052584$w(OCoLC)42690082
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio4245562$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS