| Record ID | marc_columbia/Columbia-extract-20221130-009.mrc:275481057:5430 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-009.mrc:275481057:5430?format=raw |
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001 4246809
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008 000112s1998 mau ob s001 0 eng d
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020 $a1122055048
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049 $aZCUA
100 1 $aPritchard, William H.
245 10 $aTalking back to Emily Dickinson and other essays /$cWilliam H. Pritchard.
260 $aAmherst :$bUniversity of Massachusetts Press,$c©1998.
300 $a1 online resource (xiii, 303 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aWriting well is the best revenge -- That Shakespearian rag -- Burke's great melody -- Responding to Blake -- Wordsworth's "Resolution and independence" -- Byron in his letters -- My Bront ︠problem, and yours? -- Reading Hawthorne -- Nineteenth-century American poetry -- Talking back to Emily Dickinson -- Matthew Arnolds' permanence -- What to do with Carlyle? -- Henry James on tour -- Yeats's first fifty years -- T.S. Eliot: a revaluation -- Fabulous monster: Ford Madox Ford as literary critic -- R.P. Blackmur's last song -- Anthony Powell's serious comedy -- Appreciating Kingsley Amis -- Naipaul's written world -- Looking back at Lessing -- Mailer in retrospect -- Terry Southern: R.I.P. -- Robert Penn Warren's late poems -- Donald Hall's poetry -- Donald Davie as critic of modern poets -- The last man of letters: Julian Symons.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
533 $aElectronic reproduction.$b[Place of publication not identified] :$cHathiTrust Digital Library,$d2010.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2010$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
588 0 $aPrint version record.
520 $aThis collection makes the case for literary criticism as an informed, aggressive, personal, and often humorous response to writers and writing. An unrepentant academic, William Pritchard nonetheless finds himself looking vainly, in much current professional study of literature, for what he sees as criticism's central task. This involves, in part, an attentiveness to the performing voice of the novelist, poet, or essayist under discussion. To bring out that quality, the critic must exploit, with invention and intrepidity, his or her own responsive voice - must "talk back" to the work of art.
546 $aEnglish.
650 0 $aEnglish literature$xHistory and criticism.
650 0 $aAmerican literature$xHistory and criticism.
650 6 $aLittérature anglaise$xHistoire et critique.
650 7 $aLITERARY CRITICISM$xEuropean$xEnglish, Irish, Scottish, Welsh.$2bisacsh
650 7 $aAmerican literature.$2fast$0(OCoLC)fst00807113
650 7 $aEnglish literature.$2fast$0(OCoLC)fst00911989
650 7 $aEnglish Literature.$2hilcc
650 7 $aEnglish.$2hilcc
650 7 $aLanguages & Literatures.$2hilcc
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aPritchard, William H.$tTalking back to Emily Dickinson and other essays.$dAmherst : University of Massachusetts Press, ©1998$z1558491384$w(DLC) 98010322$w(OCoLC)38426013
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio4246809$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS