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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-009.mrc:275631943:5961
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-009.mrc:275631943:5961?format=raw

LEADER: 05961cam a2200877Ma 4500
001 4246843
005 20210302165636.0
006 m o d
007 cr cn|||||||||
008 000112s1998 maua ob s001 0 eng d
010 $z 97021775
035 $a(OCoLC)ocm43475511
035 $a(NNC)4246843
040 $aN$T$beng$epn$cN$T$dOCL$dOCLCQ$dOCL$dYDXCP$dOCLCQ$dTUU$dOCLCQ$dTNF$dOCLCQ$dZCU$dOCLCE$dOCLCO$dOCLCF$dNLGGC$dOCLCQ$dOCL$dOCLCQ$dS3O$dOCLCQ$dINTCL$dJBG$dMWM$dOCLCQ$dSAV$dQT7$dOCLCQ$dLUE$dWRM$dVTS$dAGLDB$dOCLCQ$dINT$dOCLCQ$dSTF$dYDX$dK6U$dCHBRC$dOCLCQ$dINARC$dAJS
019 $a532462026$a605190194$a644120295$a649230029$a847157365$a961677451$a962668987$a970747008$a974476243$a974508842$a1004443000$a1004794884$a1005038896$a1007374761$a1008916809$a1013742587$a1017963295$a1021230091$a1038618204$a1047678774$a1053004656$a1065552143$a1119104099$a1135450646$a1156650901$a1157100375$a1178684055$a1193392860$a1200279966
020 $a0585083541$q(electronic bk.)
020 $a9780585083544$q(electronic bk.)
020 $z1558491198
020 $z1558491201
020 $z9781558491199$q(cloth ;$qalk. paper)
020 $z9781558491205$q(pbk. ;$qalk. paper)
035 $a(OCoLC)43475511$z(OCoLC)532462026$z(OCoLC)605190194$z(OCoLC)644120295$z(OCoLC)649230029$z(OCoLC)847157365$z(OCoLC)961677451$z(OCoLC)962668987$z(OCoLC)970747008$z(OCoLC)974476243$z(OCoLC)974508842$z(OCoLC)1004443000$z(OCoLC)1004794884$z(OCoLC)1005038896$z(OCoLC)1007374761$z(OCoLC)1008916809$z(OCoLC)1013742587$z(OCoLC)1017963295$z(OCoLC)1021230091$z(OCoLC)1038618204$z(OCoLC)1047678774$z(OCoLC)1053004656$z(OCoLC)1065552143$z(OCoLC)1119104099$z(OCoLC)1135450646$z(OCoLC)1156650901$z(OCoLC)1157100375$z(OCoLC)1178684055$z(OCoLC)1193392860$z(OCoLC)1200279966
042 $adlr
050 4 $aPN1995.9.W6$bG74 1998eb
072 7 $aPER$x004040$2bisacsh
082 04 $a791.43/652042$221
084 $a24.32$2bcl
049 $aZCUA
100 1 $aGreen, Philip,$d1932-
245 10 $aCracks in the pedestal :$bideology and gender in Hollywood /$cPhilip Green.
260 $aAmherst :$bUniversity of Massachusetts Press,$c©1998.
300 $a1 online resource (viii, 262 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references (pages 213-248) and index.
505 0 $aIdeology, Gender, and Visual Culture -- Erasures -- Ideological Destinies -- Recuperating the Sexual Order -- Media Structures and Dominant Ideas -- Cracks in the Pedestal: Resistance and Opposition -- "Put the Blame on Mame ..." Ambivalance and Ambiguity -- What the Male Gaze Sees "Women You Don't Mess With" -- What the Male Gaze Sees: The Wrath of the Medusa.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
533 $aElectronic reproduction.$b[Place of publication not identified] :$cHathiTrust Digital Library,$d2010.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2010$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
588 0 $aPrint version record.
520 $a"Distinguishing his own neo-Marxist approach from that of other media scholars, Philip Green pursues two interrelated themes. In the first part of the book, he looks at the strategies Hollywood has employed to deflect or absorb the ideological challenges posed by the feminist critique of contemporary American society. He demonstrates the ways in which mainstream movies and television programs, no matter how unconventional or "subversive" they may appear, produce and reproduce familiar images of sexuality and gender identity. In the second part, Green highlights instances in which reproduction of the dominant ideology is less successful by examining several recent cinematic genres - the female action movie, the rape-revenge cycle, and the new film noir - that portray the real ambiguities of a social order in upheaval." "As a male consumer of the cultural commodities being discussed, the author offers a perspective on American films and television different from that of most other feminist critics."--Jacket.
650 0 $aWomen in motion pictures.
650 0 $aWomen on television.
650 0 $aFeminism and motion pictures.
650 0 $aFeminist film criticism.
650 6 $aFemmes au cinéma.
650 6 $aFemmes à la télévision$zÉtats-Unis.
650 6 $aFéminisme et cinéma$zÉtats-Unis.
650 6 $aCritique cinématographique féministe.
650 7 $aPERFORMING ARTS$xFilm & Video$xReference.$2bisacsh
650 7 $aFeminism and motion pictures.$2fast$0(OCoLC)fst00922742
650 7 $aFeminist film criticism.$2fast$0(OCoLC)fst00922776
650 7 $aWomen in motion pictures.$2fast$0(OCoLC)fst01177931
650 7 $aWomen on television.$2fast$0(OCoLC)fst01178239
650 17 $aFilmindustrie.$2gtt
650 17 $aTelevisie.$2gtt
650 17 $aVrouwen.$2gtt
650 17 $aFeminisme.$2gtt
650 7 $aFilm.$2kao
650 7 $aKritik.$2kao
650 7 $aIdeologier.$2kao
650 7 $aMassmedia.$2kao
650 7 $aUSA.$2kao
650 7 $aFeminism.$2kao
650 7 $aGenus.$2kao
650 7 $aRadio & TV.$2kao
650 7 $aKvinnobilden.$2kao
650 7 $aKvinnor och film$zFörenta staterna.$2sao
650 7 $aFeminism och film.$2sao
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aGreen, Philip, 1932-$tCracks in the pedestal.$dAmherst : University of Massachusetts Press, ©1998$z1558491198$w(DLC) 97021775$w(OCoLC)36977273
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio4246843$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS