MARC Record from marc_columbia

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001 4246930
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008 930212s1993 ncuaf ob s001 0 eng d
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100 1 $aSteinweis, Alan.
245 10 $aArt, ideology & economics in Nazi Germany :$bthe Reich chambers of Music, Theater, and the Visual Arts /$cAlan E. Steinweis.
246 3 $aArt, ideology, and economics in Nazi Germany
260 $aChapel Hill :$bUniversity of North Carolina Press,$c©1993.
300 $a1 online resource (x, 233 pages, 8 unnumbered pages of plates) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
500 $aBased on the author's doctoral dissertation at the University of North Carolina at Chapel Hill.
504 $aIncludes bibliographical references (pages 217-226) and index.
505 0 $aArt and culture in the Weimar Republic: the economic, institutional, and political context -- Nazi coordination of the arts and the creation of the Reich Chamber of Culture, 1933 -- Evolution of the Chamber System -- The varieties of patronage, 1933-1939 -- Germanizing the arts -- Mobilizing artists for war.
520 $aFrom 1933 to 1945, the Reich Chamber of Culture exercised a profound influence over hundreds of thousands of German artists and entertainers. Subdivided into separate chambers for music, theater, the visual arts, literature, film, radio, and the press, this organization encompassed several hundred thousand professionals and influenced the activities of millions of amateur artists and musicians as well. Alan Steinweis focuses on the fields of music, theater, and the visual arts in this first major study of Nazi cultural administration, examining a complex pattern of interaction among leading Nazi figures, German cultural functionaries, ordinary artists, and consumers of culture. One of the most persistent generalizations to emerge from research on Nazi Germany is the notion of a German artistic and cultural establishment at the mercy of a totalitarian regime determined to mobilize the arts for its own ideological purposes. Steinweis argues that this generalization obscures a more complex reality. It overlooks continuities in the agenda of the German cultural establishment from the Weimar Republic through the Nazi period and presupposes a clearer distinction than actually existed between officialdom and the cultural elite, thereby overestimating the degree to which policy affecting artists originated outside the artistic world. Steinweis describes the political, professional, and economic environment in which German artists were compelled to function and explains the structure of decision making, showing in whose interest cultural policies were formulated. He discusses such issues as work creation, social insurance, minimum wage statutes, and certification guidelines, all of which were matters of high priority to the art professions before 1933 as well as after the Nazi seizure of power. By elucidating the economic and professional context of cultural life, Steinweis also contributes to an understanding of the response of German artists to cultural Gleichschaltung, or "coordination," and helps to explain the widespread acquiescence of German artists to artistic censorship and racial and political "purification."
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
533 $aElectronic reproduction.$b[Place of publication not identified] :$cHathiTrust Digital Library,$d2011.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2011$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
588 0 $aPrint version record.
508 $aBased on the author's doctoral dissertation at the University of North Carolina at Chapel Hill.
610 27 $aReichskulturkammer$2gnd
650 0 $aArts, German.
650 0 $aNational socialism and art.
650 0 $aArts$xEconomic aspects$zGermany.
650 6 $aArts allemands.
650 6 $aNazisme et art.
650 6 $aArts$xAspect économique$zAllemagne.
650 7 $aART$xReference.$2bisacsh
650 7 $aART$xPerformance.$2bisacsh
650 7 $aArts$xEconomic aspects.$2fast$0(OCoLC)fst00817743
650 7 $aArts, German.$2fast$0(OCoLC)fst00818034
650 7 $aNational socialism and art.$2fast$0(OCoLC)fst01033786
651 7 $aGermany.$2fast$0(OCoLC)fst01210272
650 7 $aKulturpolitik$2gnd
650 7 $aDrittes Reich$2gnd
650 7 $aKünstler$2gnd
650 17 $aKunstbeleid.$2gtt
650 17 $aNationaal-socialisme.$2gtt
650 7 $aArts allemands.$2ram
650 7 $aNational-socialisme et art.$2ram
650 7 $aPolitique culturelle$zAllemagne$y1900-1945.$2ram
648 7 $aGeschichte 1933-1945.$2swd
776 08 $iPrint version:$aSteinweis, Alan.$tArt, ideology & economics in Nazi Germany.$dChapel Hill : University of North Carolina Press, ©1993$z0807821047$w(DLC) 93007059$w(OCoLC)27680441
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio4246930$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS