MARC Record from marc_columbia

LEADER: 04507cam a2200589Ma 4500
001 4247875
005 20220604225300.0
006 m o d
007 cr cn|||||||||
008 000112s1999 cauaf o 001 0 eng d
010 $z 98089055
035 $a(OCoLC)ocm43803036
035 $a(NNC)4247875
040 $aN$T$beng$epn$cN$T$dOCL$dOCLCQ$dOCL$dYDXCP$dOCLCQ$dTUU$dOCLCQ$dTNF$dOCLCQ$dZCU$dOCLCF$dOCLCE$dOCLCQ$dN$T$dOCLCQ$dMWM$dSUR$dOCLCQ$dSAV$dQT7$dOCLCQ$dLUE$dWRM$dOCLCQ$dINT$dOCLCQ$dCHBRC$dAJS$dOCLCO
019 $a532505611$a607174640$a608385290$a961694101$a962570397$a970718401$a984877015$a988785078$a1004458802$a1004784781$a1007408831$a1008900815$a1013725435$a1017955147$a1021232522$a1038630583$a1053004545$a1135425526$a1196976700
020 $a0585140774$q(electronic bk.)
020 $a9780585140773$q(electronic bk.)
020 $z1893329038
020 $z9781893329034
035 $a(OCoLC)43803036$z(OCoLC)532505611$z(OCoLC)607174640$z(OCoLC)608385290$z(OCoLC)961694101$z(OCoLC)962570397$z(OCoLC)970718401$z(OCoLC)984877015$z(OCoLC)988785078$z(OCoLC)1004458802$z(OCoLC)1004784781$z(OCoLC)1007408831$z(OCoLC)1008900815$z(OCoLC)1013725435$z(OCoLC)1017955147$z(OCoLC)1021232522$z(OCoLC)1038630583$z(OCoLC)1053004545$z(OCoLC)1135425526$z(OCoLC)1196976700
042 $adlr
050 4 $aPN1996$b.K33 1999eb
072 7 $aLAN$x005000$2bisacsh
072 7 $aLAN$x015000$2bisacsh
072 7 $aREF$x026000$2bisacsh
082 04 $a808.2/3$221
049 $aZCUA
100 1 $aKaufman, Millard.
245 10 $aPlots and characters :$ba screenwriter on screenwriting /$cby Millard Kaufman.
260 $aLos Angeles, CA :$bReally Great Books,$c©1999.
300 $a1 online resource (x, 265 pages, 8 unnumbered pages of plates) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
500 $aIncludes index.
505 0 $a[Pt.] 1: The business of writing. Pitfalls and pratfalls: you know who did the hair? ; Top dogs, big brass: don't show up ; Writing and writhing: growing corns on your ass ; Running the bases: you've got to hit it first -- [Pt.] 2: Writing in Hollywood (or anywhere else). Getting going: prejudice and the script ; Rewrites and critiques: arm wrestling the muse is not is not enough ; Speed and stagnation: how good are you at defrosting a refrigerator? -- [Pt.] 3: The script: basics. From Greece to Hollywood: why aren't you home writing? ; Catechism beginning with theme: stick to it like grim death ; The three-act form: surrender and we'll give you a second act ; Plot and subplot: thirty-six situations including the horse will help her ; Character: heroes and heavies: raising a fist against fate ; Anatomy of a screenplay: emotions are the only facts -- [Pt.] 4: The script: making it rich. A piece of the action: invoking the worst calamity ; Conflict and empathy: the cardinal virtues ; The parabola of change: the three C's ; Plants and payoffs: progressing backwards ; Dialogue and preachment: what's said ; The orchestration of urgency: exaggeration and excitement ; A miscellany of basics: examined at the risk of belaboring the obvious ; End game: the road to fade-out.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
533 $aElectronic reproduction.$b[Place of publication not identified] :$cHathiTrust Digital Library,$d2010.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2010$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
588 0 $aPrint version record.
650 0 $aMotion picture authorship.
650 6 $aCinéma$xArt d'écrire.
650 7 $aLANGUAGE ARTS & DISCIPLINES$xComposition & Creative Writing.$2bisacsh
650 7 $aLANGUAGE ARTS & DISCIPLINES$xRhetoric.$2bisacsh
650 7 $aREFERENCE$xWriting Skills.$2bisacsh
650 7 $aMotion picture authorship.$2fast$0(OCoLC)fst01027122
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aKaufman, Millard.$tPlots and characters.$dLos Angeles, CA : Really Great Books, ©1999$z1893329038$w(DLC) 98089055$w(OCoLC)41610347
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio4247875$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS