MARC Record from marc_columbia

LEADER: 07160cam a2200841Ma 4500
001 4248463
005 20220709225138.0
006 m o d
007 cr cn|||||||||
008 971027s1998 ilu ob 001 0 eng d
010 $a 97043376
035 $a(OCoLC)ocm42329469
035 $a(NNC)4248463
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020 $a0585029733$q(electronic bk.)
020 $a9780585029733$q(electronic bk.)
020 $z0809321807
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042 $adlr
043 $an-us---
050 4 $aPS228.B6$bS755 1998eb
072 7 $aLIT$x004020$2bisacsh
082 04 $a810.9/0054$221
049 $aZCUA
100 1 $aSterritt, David.
245 10 $aMad to be saved :$bthe Beats, the '50s, and film /$cDavid Sterritt.
260 $aCarbondale :$bSouthern Illinois University Press,$c©1998.
300 $a1 online resource (xii, 258 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references (pages 223-249) and index.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
505 0 $aPreface -- Acknowledgments -- Mad to be saved -- History, theory and culture: the beat generation meets the lonely crowd -- Literature, photography, film: from American jukebox to biologic theater -- Notes -- Works Cited -- Index.
520 1 $a"Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with mainstream and experimental film, and the interactions of all of these with American society and the culture of the '50s. Examining American society in the '50s, Sterritt balances the Beat countercultural goal of rebellion through both artistic creation and everyday behavior against the mainstream values of conformity and conservatism, growing worry over cold-war hostilities, and the "rat race" toward material success." "After an introductory overview of the Beat Generation, its history, its antecedents and its influences, Sterritt shows the importance of "visual thinking" in the lives and works of major Beat authors, most notably Jack Kerouac, Allen Ginsberg, and William S. Burroughs. He turns to Mikhail Bakhtin's dialogic theory to portray the Beat writers - who were inspired by jazz and other liberating influences - as carnivalesque rebels against what they perceived as a rigid and stifling social order." "Showing the Beats as social critics, Sterritt looks at the work of '50s photographers Robert Frank and William Klein; the attack against Beat culture in the pictures and prose of Life magazine; and the counterattack in Frank's film Pull My Daisy, featuring key Beat personalities. He further explores expressions of rebelliousness in film noir, the melodramas of director Douglas Sirk, and other Hollywood films." "Finally, Sterritt shows the changing attitudes toward the Beat sensibility in Beat-related Hollywood movies like A Bucket of Blood and The Beat Generation; television programs like Route 66 and The Many Loves of Dobie Gillis, nonstudio films like John Cassavetes's improvisational Shadows and Shirley Clarke's experimental The Connection; and radically avant-garde works by such doggedly independent screen artists as Stan Brakhage, Ron Rice, Bruce Connor, and Ken Jacobs, drawing connections between their achievements and the most subversive products of their Beat contemporaries."--Jacket.
533 $aElectronic reproduction.$b[S.l.] :$cHathiTrust Digital Library,$d2010.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2010$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
588 0 $aPrint version record.
546 $aEnglish.
650 0 $aBeats (Persons)
650 0 $aMotion pictures and literature$zUnited States$xHistory$y20th century.
650 0 $aLiterature and society$zUnited States$xHistory$y20th century.
650 0 $aAmerican literature$y20th century$xHistory and criticism.
650 0 $aExperimental films$zUnited States$xHistory and criticism.
650 0 $aMotion pictures$zUnited States$xHistory.
650 0 $aMotion pictures$zUnited States$xHistory$y20th century.
650 6 $aBeatniks.
650 6 $aCinéma et littérature$zÉtats-Unis$xHistoire$y20e siècle.
650 6 $aLittérature et société$zÉtats-Unis$xHistoire$y20e siècle.
650 6 $aLittérature américaine$y20e siècle$xHistoire et critique.
650 6 $aFilms expérimentaux$zÉtats-Unis$xHistoire et critique.
650 6 $aCinéma$zÉtats-Unis$xHistoire$y20e siècle.
650 6 $aCinéma$zÉtats-Unis$xHistoire.
650 7 $aBeat generation.$2aat
650 7 $aLITERARY CRITICISM$xAmerican$xGeneral.$2bisacsh
650 7 $aAmerican literature.$2fast$0(OCoLC)fst00807113
650 7 $aBeats (Persons)$2fast$0(OCoLC)fst00829327
650 7 $aExperimental films.$2fast$0(OCoLC)fst00918452
650 7 $aLiterature and society.$2fast$0(OCoLC)fst01000096
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aMotion pictures and literature.$2fast$0(OCoLC)fst01027410
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
648 7 $a1900-1999$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aSterritt, David.$tMad to be saved.$dCarbondale : Southern Illinois University Press, ©1998$z0809321807$w(DLC) 97043376$w(OCoLC)38048558
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio4248463$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS