MARC Record from marc_columbia

LEADER: 05020cam a2200661Ma 4500
001 4248803
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006 m o d
007 cr cn|||||||||
008 001009s1994 inua ob 001 0 eng d
035 $a(OCoLC)ocm45729748
035 $a(NNC)4248803
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019 $a654286699$a970764358$a984603477$a1105748233$a1123226132$a1127917416
020 $a0585231869$q(electronic bk.)
020 $a9780585231860$q(electronic bk.)
020 $z0253327423$q(cl ;$qalk. paper)
020 $z9780253327420$q(cl ;$qalk. paper)
035 $a(OCoLC)45729748$z(OCoLC)654286699$z(OCoLC)970764358$z(OCoLC)984603477$z(OCoLC)1105748233$z(OCoLC)1123226132$z(OCoLC)1127917416
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072 7 $aMUS$x050000$2bisacsh
082 04 $a780/.92$220
084 $a24.43$2bcl
049 $aZCUA
100 1 $aHatten, Robert S.
245 10 $aMusical meaning in Beethoven :$bmarkedness, correlation, and interpretation /$cRobert S. Hatten.
260 $aBloomington :$bIndiana University Press,$c©1994.
300 $a1 online resource (xvi, 349 pages) :$billustrations.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aAdvances in semiotics.
504 $aIncludes bibliographical references (pages 328-341) and indexes.
505 00 $tForeword /$rDavid Lidov --$tI.A Case Study for Interpretation: The Third Movement of Op. 106 (Hammerklavier) --$tII. Correlation, Interpretation, and the Markedness of Oppositions --$tIII. From Topic to Expressive Genre --$tIV. The Pastoral Expressive Genre: The Four Movements of Op. 101 --$tV. The Thematic Level and the Markedness of Classical Material --$tVI. Thematic Markedness: The First Movements of Op. 130 and Op. 131 --$tVII. Beyond the Hierarchies of Correlation: Troping, Irony, Levels of Discourse, and Intertextuality --$tVIII. Analysis and Synthesis: The Cavatina from Op. 130 --$tIX. From the Aesthetic to the Semiotic --$tX. Further Perspectives on Musical Meaning and Cognition --$tAppendix: Abnegation and the New Genre.
520 1 $a"Musical Meaning in Beethoven offers a fresh approach to the interpretation and explanation of musical expressive meaning. Beginning with a provocative analysis of the slow movement from Beethoven's Hammerklavier piano sonata, the investigation examines the role of markedness, Classical topics, expressive genres, and musical tropes in fostering expressive interpretation at all levels of structure. Along the way, close readings of movements from Beethoven's late piano sonatas and string quartets highlight less-obvious expressive meanings and explain how more-familiar piano meanings are consistently cued from one work to the next." "The model of musical meaning that Robert S. Hatten puts forth is grounded in the semiotic contributions of Charles Sanders Peirce, Umberto Eco, and Michael Shapiro; and in the theoretical and historical contributions of Leonard B. Meyer, Charles Rosen, and Leonard Ratner. In addition, the latest musicological scholarship is brought to bear on a stylistic approach of considerable interpretive depth. Radically departing from both the nineteenth-century Formalist aesthetics of Eduard Hanslick and Formalist theories underlying tonal analysis in the twentieth century, the author argues that expressive meaning is not extramusical but fundamental to the reconstruction of compositional practice and stylistic understanding, even for the "absolute" works of Beethoven."--Jacket.
588 0 $aPrint version record.
600 10 $aBeethoven, Ludwig van,$d1770-1827$xCriticism and interpretation.
600 16 $aBeethoven, Ludwig van,$d1770-1827$xCritique et interprétation.
600 17 $aBeethoven, Ludwig van,$d1770-1827.$2fast$0(OCoLC)fst00042803
600 17 $aBeethoven, Ludwig van.$2swd
650 0 $aMusic$xSemiotics.
650 6 $aSémiotique et musique.
650 7 $aMUSIC$xIndividual Composer & Musician.$2bisacsh
650 7 $aMusic$xSemiotics.$2fast$0(OCoLC)fst01030442
650 17 $aSemiotiek.$2gtt
650 17 $aStructuuranalyse.$2gtt
650 17 $aExpressie.$2gtt
650 7 $aMusik$2gnd
650 7 $aInterpretation$2gnd
650 7 $aMusikalische Analyse$2gnd
650 7 $aMusikalische Semiotik$2gnd
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aHatten, Robert S.$tMusical meaning in Beethoven.$dBloomington : Indiana University Press, ©1994$z0253327423
830 0 $aAdvances in semiotics.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio4248803$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS