| Record ID | marc_columbia/Columbia-extract-20221130-009.mrc:289829636:4596 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-009.mrc:289829636:4596?format=raw |
LEADER: 04596cam a2200673Ma 4500
001 4250444
005 20210402225116.0
006 m o d
007 cr cn|||||||||
008 020520s2001 inua obq 001 0 eng d
035 $a(OCoLC)ocm50174747
035 $a(NNC)4250444
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020 $a1282065998
020 $a9781282065994
020 $z0253339545$q(cl ;$qalk. paper)
020 $z9780253339546$q(cl ;$qalk. paper)
020 $z0253214696$q(paper ;$qalk. paper)
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035 $a(OCoLC)50174747$z(OCoLC)56634979$z(OCoLC)437072321$z(OCoLC)606647097$z(OCoLC)637039783$z(OCoLC)637039794$z(OCoLC)650972756$z(OCoLC)696445910$z(OCoLC)970723805$z(OCoLC)1035707601$z(OCoLC)1078032961$z(OCoLC)1110372886$z(OCoLC)1125447050$z(OCoLC)1136330901$z(OCoLC)1154938249$z(OCoLC)1241896839
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050 4 $aPN1995.9.D6$bN539 2001eb
072 7 $aLAN$x008000$2bisacsh
082 04 $a070.1/8$221
084 $a24.34$2bcl
049 $aZCUA
100 1 $aNichols, Bill.
245 10 $aIntroduction to documentary /$cBill Nichols.
260 $aBloomington, Ind. :$bIndiana University Press,$c©2001.
300 $a1 online resource (xviii, 223 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references (pages 179-190) and index.
504 $aIncludes filmography (pages 191-199).
505 0 $aAcknowledgments; Introduction; Chapter 1: Why Are Ethical Issues Central to Documentary Filmmaking?; Chapter 2: How Do Documentaries Differ from Other Types of Film?; Chapter 3: What Gives Documentary Films a Voice of Their Own?; Chapter 4: What Are Documentaries About?; Chapter 5: How Did Documentary Filmmaking Get Started?; Chapter 6: What Types of Documentary Are There?; Chapter 7: How Have Documentaries Addressed Social and Political Issues?; Chapter 8: How Can We Write Effectively about Documentary?; Notes on Source Material; Filmography; List of Distributors; Index.
520 $aIntroduction to Documentary provides a one-of-a-kind overview of the most important topics and issues in documentary history and criticism. Designed for students in any field that makes use of visual evidence and persuasive strategies, from the law to anthropology, and from history to journalism, this book spells out the distinguishing qualities of documentary. A wide-ranging and freewheeling form of filmmaking, documentary has not yet received a proper, written introduction to its public, or its future m.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
533 $aElectronic reproduction.$b[Place of publication not identified] :$cHathiTrust Digital Library,$d2010.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2010$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
588 0 $aPrint version record.
546 $aEnglish.
650 0 $aDocumentary films$xHistory and criticism.
650 6 $aDocumentaires$xHistoire et critique.
650 7 $aLANGUAGE ARTS & DISCIPLINES$xJournalism.$2bisacsh
650 7 $aDocumentary films.$2fast$0(OCoLC)fst00896079
650 7 $aDokumentarfilm$2gnd
650 17 $aDocumentaires.$2gtt
650 7 $aDocumentário cinematográfico.$2larpcal
653 $aTheatre, Film and Television Studies
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aNichols, Bill.$tIntroduction to documentary.$dBloomington, Ind. : Indiana University Press, ©2001$z0253339545$w(DLC) 00054267
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio4250444$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS