| Record ID | marc_columbia/Columbia-extract-20221130-009.mrc:291668372:5995 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-009.mrc:291668372:5995?format=raw |
LEADER: 05995cam a2200817Ia 4500
001 4252029
005 20220618225528.0
006 m o d
007 cr cn|||||||||
008 030728s2002 cau ob 000 0 eng d
010 $a 2002031706
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037 $a22573/cttps7f$bJSTOR
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043 $an-us---
050 4 $aPN1995.9.E96$bM38 2002eb
072 7 $aPER$x004040$2bisacsh
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082 04 $a791.43/3$221
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049 $aZCUA
100 1 $aMcCarthy, Kevin F.,$d1945-
245 10 $aFrom celluloid to cyberspace :$bthe media arts and the changing arts world /$cKevin F. McCarthy, Elizabeth Heneghan Ondaatje.
260 $aSanta Monica, Calif. :$bRand,$c2002.
300 $a1 online resource (xv, 79 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file$2rda
504 $aIncludes bibliographical references (pages 73-79).
505 0 $aCh. 1. Introduction -- ch. 2. The arts environment in America -- ch. 3. The development of the media arts -- ch. 4. Comparing the media arts -- ch. 5. Conclusions -- Appendix A. Information on the media arts -- Appendix B. Interviews.
505 0 $aPREFACE; CONTENTS; SUMMARY; ACKNOWLEDGMENTS; Chapter One INTRODUCTION; Chapter Two THE ARTS ENVIRONMENT IN AMERICA; Chapter Three THE DEVELOPMENT OF THE MEDIA ARTS; Chapter Four COMPARING THE MEDIA ARTS; Chapter Five CONCLUSIONS; Appendix A INFORMATION ON THE MEDIA ARTS; Appendix B INTERVIEWS; BIBLIOGRAPHY.
520 $aThe arts in America are entering a new era that will pose many challenges for the arts community. However, our current knowledge of the operation of the arts world and its underlying dynamics is limited. These limits are particularly pronounced with regard to the newest and most dynamic component of the arts world: the media arts. Defined as art that is produced using or combining film, video, and computers, the media arts encompass a diverse array of artistic work that includes narrative, documentary, and experimental films; videos and digital products; and installation art using media. This.
588 0 $aPrint version record.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
533 $aElectronic reproduction.$b[S.l.] :$cHathiTrust Digital Library,$d2010.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2010$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
546 $aEnglish.
650 0 $aExperimental films.
650 0 $aVideo art.
650 6 $aArt vidéo.
650 7 $avideo art.$2aat
650 7 $aPERFORMING ARTS$xFilm & Video$xReference.$2bisacsh
650 7 $aPERFORMING ARTS$xFilm & Video$xGeneral.$2bisacsh
650 7 $aExperimental films.$2fast$0(OCoLC)fst00918452
650 7 $aVideo art.$2fast$0(OCoLC)fst01166389
650 17 $aMediakunst.$2gtt
650 17 $aTechnische ontwikkeling.$2gtt
650 17 $aSociaal-economische aspecten.$2gtt
650 7 $aMusic, Dance, Drama & Film.$2hilcc
650 7 $aFilm.$2hilcc
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aExperimental films.$2fast$0(OCoLC)fst01710354
655 7 $aExperimental films.$2lcgft
655 7 $aFilms expérimentaux.$2rvmgf
700 1 $aOndaatje, Elizabeth Heneghan.
776 08 $iPrint version:$aMcCarthy, Kevin F., 1945-$tFrom celluloid to cyberspace.$dSanta Monica, Calif. : Rand, 2002$z0833030760$w(DLC) 2002031706$w(OCoLC)50422965
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio4252029$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS