Record ID | marc_columbia/Columbia-extract-20221130-009.mrc:350114562:3735 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-009.mrc:350114562:3735?format=raw |
LEADER: 03735cam a2200421 a 4500
001 4320058
005 20221102194300.0
008 030821t20042004nju b 001 0 eng
010 $a 2003061309
015 $aGBA3-T9432
020 $a0765802082 (alk. paper)
035 $a(OCoLC)ocm52962866
035 $a(NNC)4320058
035 $a4320058
040 $aDLC$cDLC$dYDX$dUKM$dCDS$dNNC$dOrLoB-B
043 $ae-uk---$an-us---
050 00 $aPR888.E6$bG66 2004
082 00 $a809.3/041$222
100 1 $aGoodheart, Eugene.$0http://id.loc.gov/authorities/names/n84029047
245 10 $aNovel practices :$bclassic modern fiction /$cEugene Goodheart.
260 $aNew Brunswick, N.J. :$bTransaction Publishers,$c[2004], ©2004.
300 $axv, 217 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $g1.$t"The Licensed Trespasser": The Omniscient Narrator in Middlemarch -- $g2.$tJoyce and the Common Life -- $g3.$tThomas Mann's Comic Spirit -- $g4.$tThe Art of Ambivalence: The Good Soldier -- $g5.$tWhat May Knew in The Beast in the Jungle -- $g6.$tLeon Edel's Henry James -- $g7.$tCensorship and Self-Censorship in the Fiction of D. H. Lawrence -- $g8.$tLawrence and American Fiction -- $g9.$t"Sex Consciousness" and the Novel: A Room of One's Own -- $g10.$tA Contest of Motives: T. E. Lawrence in The Seven Pillars of Wisdom -- $g11.$tCharacter in Saul Bellow's Novels -- $g12.$tCounterlives: Philip Roth in Autobiography and Fiction -- $g13.$tFour Decades of Contemporary American Fiction -- $g14.$tRecent Novels.
520 1 $a"An important debate in modern literary criticism concerns the exact relationship between the ancient epic and the novel. Both the epic and the most ambitious modern novels are large-scale attempts to present a comprehensive view of the world through the experience of a representative hero. However, in the older tradition the hero stood for the aspirations and highest ideals of his society. The protagonist of the modern novel is usually at odds with that society, whether as exile, active rebel, or antagonistic critic. In Novel Practices, the distinguished literary scholar Eugene Goodheart surveys a representative selection of modern novelists tracing how the epic impulse has been reshaped under the conditions of modernity." "Goodheart's approach centers on fiction, and although he takes cognizance of the critical theory of the past several decades, he nevertheless emphasizes the centrality of the author and authorial intention. Novel Practices will be essential reading for students of literature, culture, and intellectual history."--BOOK JACKET.
650 0 $aEnglish fiction$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008103094
650 0 $aAmerican fiction$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2007100687
650 0 $aEpic poetry, Classical$xAppreciation$zGreat Britain.$0http://id.loc.gov/authorities/subjects/sh2009003890
650 0 $aEpic poetry, Classical$xAppreciation$zUnited States.$0http://id.loc.gov/authorities/subjects/sh2009003891
650 0 $aAmerican literature$xClassical influences.
650 0 $aEnglish literature$xClassical influences.$0http://id.loc.gov/authorities/subjects/sh85043813
650 0 $aEpic literature$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008103110
650 0 $aClassicism$zGreat Britain.$0http://id.loc.gov/authorities/subjects/sh2008101126
650 0 $aClassicism$zUnited States.
650 0 $aFiction$xTechnique.$0http://id.loc.gov/authorities/subjects/sh85048065
852 00 $boff,glx$hPR888.E6$iG66 2004