| Record ID | marc_columbia/Columbia-extract-20221130-009.mrc:365863319:1526 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-009.mrc:365863319:1526?format=raw |
LEADER: 01526cam a2200289 4500
001 4337032
005 20221102195804.0
008 720803s1972 ncu b 000 0 eng
010 $a 72188410
035 $a(OCoLC)ocm00393783
035 $a(NNC)4337032
035 $a4337032
040 $aDLC$cDLC$dZCU
050 00 $aPT2525.N35$bS5
082 00 $a833/.7
099 $a830.8$aN77$av.72
100 1 $aSjögren, Christine Oertel.$0http://id.loc.gov/authorities/names/no2005064313
245 14 $aThe marble statue as idea /$ccollected essays on Adalbert Stifter's Der Nachsommer.
260 $aChapel Hill :$bUniversity of North Carolina Press,$c1972.
300 $axi, 119 pages ;$c22 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aUniversity of North Carolina studies in the Germanic languages and literatures ;$vno. 72
505 0 $aIntroduction: The Marmorgestalt and the concept Gestalt.--Isolation and death.--Mathilde and the roses.--The Cereus Peruvianus: illustration of a Gestalt.--Affirmation of formlessness.--The monstrous painting.--The equivocal light of the Marmorsaal: traces of mysticism.--The human Gestalten and the fools.--Conclusion: Heinrich's progress toward the Marmorgestalt.--Selected bibliography (p. 112-119)
600 10 $aStifter, Adalbert,$d1805-1868.$tNachsommer.
830 0 $aUniversity of North Carolina studies in the Germanic languages and literatures ;$vno. 72.$0http://id.loc.gov/authorities/names/n42025724
852 8 $boff,glx$h830.8$iN77 v.72