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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-009.mrc:369329034:5801
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-009.mrc:369329034:5801?format=raw

LEADER: 05801pam a2200361 a 4500
001 4339904
005 20221102200150.0
008 030530s2004 maua b 001 0 eng
010 $a 2003012197
020 $a063123487X (alk. paper)
020 $a0631234888 (pbk. : alk. paper)
020 $a9780631234883 (pbk.)
035 $a(OCoLC)ocm52377477
035 $a(NNC)4339904
035 $a4339904
040 $aDLC$cDLC$dYDX$dOrLoB-B$dNNC
043 $ae-uk---
050 00 $aPR2970$b.S495 2004
082 00 $a822.3/3$221
245 00 $aShakespeare :$ban anthology of criticism and theory, 1945-2000 /$cedited by Russ McDonald.
260 $aMalden, MA :$bBlackwell Pub.,$c2004.
300 $axix, 930 pages :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 00 $gPt. I.$tAuthorship --$g1.$tLooney and the Oxfordians /$rS. Schoenbaum --$gPt. II.$tNew Criticism --$g2.$tThe Naked Babe and the Cloak of Manliness /$rCleanth Brooks --$g3.$t"Honest" in Othello /$rWilliam Empson --$g4.$t"Introductory" Chapter About the Tragedies /$rWolfgang Clemen --$g5.$tThe "New Criticism" and King Lear /$rWilliam R. Keast --$gPt. III.$tDramatic Kinds --$g6.$tThe Argument of Comedy /$rNorthrop Frye --$g7.$tAmbivalence: The Dialectic of the Histories /$rA. P. Rossiter --$g8.$tThe Saturnalian Pattern /$rC. L. Barber --$g9.$tThe Jacobean Shakespeare: Some Observations on the Construction of the Tragedies /$rMaynard Mack --$gPt. IV.$tThe 1950s and 1960s: Theme, Character, Structure --$g10.$tReflections on the Sentimentalist's Othello /$rBarbara Everett --$g11.$tForm and Formality in Romeo and Juliet /$rHarry Levin --$g12.$tKing Lear or Endgame /$rJan Kott --$g13.$tThe Cheapening of the Stage /$rAnne Righter --$g14.$tHow Not to Murder Caesar /$rSigurd Burckhardt --$gPt. V.$tReader-Response Criticism --$g15.$tOn the Value of Hamlet /$rStephen Booth --$g16.$tRabbits, Ducks, and Henry V /$rNorman Rabkin --$gPt. VI.$tTextual Criticism and Bibliography --$g17.$tThe New Textual Criticism of Shakespeare /$rFredson Bowers --$g18.$tRevising Shakespeare /$rGary Taylor --$g19.$tNarrative About Printed Shakespeare Texts: "Foul Papers" and "Bad Quartos" /$rPaul Werstine --$gPt. VII.$tPsychoanalytic Criticism --$g20.$t"Anger's my meat": Feeding, Dependency, and Aggression in Coriolanus /$rJanet Adelman --$g21.$tThe Avoidance of Love: A Reading of King Lear /$rStanley Cavell --$g22.$tTo Entrap the Wisest: Sacrificial Ambivalence in The Merchant of Venice and Richard III /$rRene Girard --$g23.$tWhat Did the King Know and When Did He Know It? Shakespearean Discourses and Psychoanalysis /$rHarry Berger, Jr. --$g24.$tThe Turn of the Shrew /$rJoel Fineman --$gPt. VIII.$tHistoricism and New Historicism --$g25.$tThe Cosmic Background /$rE. M. W. Tillyard --$g26.$tInvisible Bullets: Renaissance Authority and its Subversion, Henry IV and Henry V /$rStephen Greenblatt --$g27.$tThe New Historicism in Renaissance Studies /$rJean E. Howard --$g28.$t"Shaping Fantasies": Figurations of Gender and Power in Elizabethan Culture /$rLouis Adrian Montrose --$gPt. IX.$tMaterialist Criticism --$g29.$tShakespeare's Theater: Tradition and Experiment /$rRobert Weimann --$g30.$tKing Lear (ca. 1605-1606) and Essentialist Humanism /$rJonathan Dollimore --$g31.$tGive an Account of Shakespeare and Education, Showing Why You Think They Are Effective and What You Have Appreciated About Them. Support Your Comments with Precise References /$rAlan Sinfield --$gPt. X.$tFeminist Criticism --$g32.$tEgyptian Queens and Male Reviewers: Sexist Attitudes in Antony and Cleopatra Criticism /$rL. T. Fitz --$g33.$t"I wooed thee with my sword": Shakespeare's Tragic Paradigms /$rMadelon Gohlke Sprengnether --$g34.$tThe Family in Shakespeare Studies; or Studies in the Family of Shakespeareans; or The Politics of Politics /$rLynda E. Boose --$g35.$tDisrupting Sexual Difference: Meaning and Gender in the Comedies /$rCatherine Belsey --$gPt. XI.$tStudies in Gender and Sexuality --$g36.$t"This that you call love": Sexual and Social Tragedy in Othello /$rGayle Greene --$g37.$tThe Performance of Desire /$rStephen Orgel --$g38.$tThe Secret Sharer /$rBruce R. Smith --$g39.$tThe Homoerotics of Shakespearean Comedy /$rValerie Traub --$gPt. XII.$tPerformance Criticism --$g40.$tShakespeare and the Blackfriars Theatre /$rGerald Eades Bentley --$g41.$tThe Critical Revolution /$rJ. L. Styan --$g42.$tWilliam Shakespeare's Romeo + Juliet: Everything's Nice in America? /$rBarbara Hodgdon --$g43.$tDeeper Meanings and Theatrical Technique: The Rhetoric of Performance Criticism /$rWilliam B. Worthen --$gPt. XIII.$tPostcolonial Shakespeare --$g44.$tNymphs and Reapers Heavily Vanish: The Discursive Con-texts of The Tempest /$rFrancis Barker and Peter Hulme --$g45.$tSexuality and Racial Difference /$rAnia Loomba --$g46.$tDiscourse and the Individual: The Case of Colonialism in The Tempest /$rMeredith Anne Skura --$gPt. XIV.$tReading Closely --$g47.$tShakespeare's Prose /$rJonas A. Barish --$g48.$tThe Play of Phrase and Line /$rGeorge T. Wright --$g49.$tTransfigurations: Shakespeare and Rhetoric /$rPatricia Parker.
600 10 $aShakespeare, William,$d1564-1616$xCriticism and interpretation$xHistory$y20th century.$0http://id.loc.gov/authorities/subjects/sh85120932
600 10 $aShakespeare, William,$d1564-1616$xCriticism and interpretation.$0http://id.loc.gov/authorities/subjects/sh85120926
650 0 $aEnglish drama$xHistory and criticism$xTheory, etc.
700 1 $aMcDonald, Russ,$d1949-$0http://id.loc.gov/authorities/names/n87853884
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip044/2003012197.html
852 00 $bbar$hPR2970$i.S495 2004
852 00 $bglx$hPR2970$i.S495 2004