MARC Record from marc_columbia

LEADER: 03869cam a2200349Ia 4500
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035 $a(NNC)4368837
035 $a4368837
040 $aZCU$cZCU$dOrLoB-B
043 $an-us---
050 4 $aNX180.S6
245 04 $aThe new gate keepers :$bemerging challenges to free expression in the arts /$c[editors, Christopher Hawthorne, András Szántó].
246 15 $aNew gatekeepers
260 $aNew York :$bNational Arts Journalism Program, Columbia University,$c[2003], ©2003.
300 $a223 pages :$billustrations (some color) ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographic references.
505 00 $tFrom Madison to Mapplethorpe and beyond /$rRoger K. Newman -- $tThe sensibility of reticence /$rRochelle Gurstein -- $tHistory written with lightning : the NAACP's bid to ban "The birth of a nation" /$rLouis Menand -- $tDefending Picasso and Lennon /$rJon Wiener -- $tThe NEA, arts funding and the culture wars /$rMarjorie Heins, Christina Cho and Kim Commerato -- $tWhere conflicts erupt: a national overview /$rSteven J. Tepper -- $tAll rights reserved : public forums and my museum.com /$rCass R. Sunstein -- $tThe folly of defining "serious" art /$rAmy Adler -- $tCensoring myself /$rBetty Shamieh -- $tThe artist as citizen /$rCarol Becker -- $tRadio for the people /$rJenny Toomey -- $tThe FCC and broadcast indecency regulations /$rDouglas Wolk -- $tBroadcast standards and practices in the 21st century /$rOlivia Cohen-Cutler -- $tPatterns in patronage /$rMichael Brenson -- $tFunders as gatekeepers /$rMarian A. Godfrey -- $tSome connections between art funding and museum programming /$rMaxwell L. Anderson -- $tA keen and baffled anxiety : one writer seeks to make sense of copyright law /$rCharles C. Mann -- $tMisdeeds and misperceptions : from the content-owner's point of view /$rShira Perlmutter -- $tA conversation with Lawrence Lessig -- $tWhen folk culture meets mass culture /$rHenry Jenkins.
520 1 $a"The National Arts Journalism Program in November 2002 convened "The New Gatekeepers: A Conference on Free Expression in the Arts" at Columbia University. The event explored a significant yet subtle shift in American culture, which has reconfigured the ranks of those who decide what the public gets to see, read and hear. Traditionally, debates about free expression in the arts have been political and legal in nature, brought on by government and special-interest groups wielding legislation, prosecution or other means to control artists output - with the First Amendment often coming to the rescue. Today many cases tend to be less stark, more nuanced and considerably more confusing for everyone involved. The essays in this volume - by artists, scholars, journalists, lawyers and art advocates, as well as foundation, museum and entertainment industry executives - expand upon the ideas introduced at the New Gatekeepers conference. They consider how recent social, political, legal, economic and technological developments are placing fresh constraints on the way art is created and distributed to the public."--BOOK JACKET.
650 0 $aArts and society$zUnited States.$0http://id.loc.gov/authorities/subjects/sh2008117614
650 0 $aFreedom of speech$zUnited States.$0http://id.loc.gov/authorities/subjects/sh2008103692
700 1 $aHawthorne, Christopher.$0http://id.loc.gov/authorities/names/no97039496
700 1 $aSzántó, András.$0http://id.loc.gov/authorities/names/n88029110
710 2 $aNational Arts Journalism Program.$0http://id.loc.gov/authorities/names/nr97002985
852 80 $bfax$hN8700$iN42
852 00 $bbar$hNX180.S6$iN49 2004g
852 00 $bglx$hNX180.S6$iN49 2004g