MARC Record from marc_columbia

LEADER: 02780cam a22003494a 4500
001 4378513
005 20221102204415.0
008 040119t20042004ctua b 001 0 eng
010 $a 2003017368
020 $a0300099568 (alk. paper)
035 $a(OCoLC)52814267
035 $a(OCoLC)ocm52814267
035 $a(NNC)4378513
035 $a4378513
040 $aDLC$cDLC$dDLC$dOrLoB$dOrLoB-B
042 $apcc
043 $ae-ru---
050 00 $aGV1790.S55$bS35 2004
082 00 $a792.8/42$222
100 1 $aScholl, Tim,$d1962-$0http://id.loc.gov/authorities/names/n93042670
245 10 $a"Sleeping beauty," a legend in progress /$cTim Scholl.
260 $aNew Haven [Conn.] ;$aLondon :$bYale University Press,$c[2004], ©2004.
300 $axiv, 242 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 219-240) and index.
505 00 $g1.$tGenre trouble --$g2.$tLegends of Sleeping beauty (what becomes a legend most?) --$g3.$tAchieving symphonism (the Soviet ballet in theory) --$g4.$tRed auroras (the Soviet ballet in practice) --$g5.$tBringing Beauty back --$gApp.$tReviews of the 1890 production.
520 1 $a"In 1999 the Maryinsky (formerly Kirov) Ballet and Theater in St. Petersburg re-created its 1890 production of Sleeping Beauty. The revival showed the classic work in its original sets and costumes and restored pantomime and choreography that had been eliminated over the past century. Nevertheless, the work proved unexpectedly controversial, with many Russian dance professionals and historians denouncing it. In order to understand how a historically informed performance could be ridiculed by those responsible for writing the history of Russian and Soviet ballet, Tim Scholl discusses the tradition, ideology, and popular legend that have shaped the development of Sleeping Beauty." "Drawing on a wide range of sources, most of which have never appeared in English, Scholl describes the artistic controversies surrounding the early production and the debates it fostered about the future of dance during the formative years of the Soviet Union. He shows that the 1999 revival brought to the surface a collision of imperial, Soviet, and official, and popular histories that mirrored many of the rifts felt more generally in post-Soviet society. A fascinating slice of cultural history, the book will appeal not only to dance historians but also to those interested in the arts and cultural policies of the Soviet and post-Soviet periods."--BOOK JACKET.
630 00 $aSleeping beauty (Choreographic work)$xHistory.
650 0 $aBallet$zRussia (Federation)$xHistory.
852 00 $bglx$hGV1790.S55$iS35 2004
852 00 $bbar$hGV1790.S55$iS35 2004