MARC Record from marc_columbia

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001 4380149
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035 $a(OCoLC)ocm52837949
035 $a(NNC)4380149
035 $a4380149
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043 $ae------
045 2 $aw8x1
055 02 $aN6757.5*
055 3 $aN6758.5 M63$bS64 2004
055 00 $aN6757 .5 M63$bS64 2003
082 0 $a700/.94/09041$222
090 $aN6758.5.M63$bS64 2003
100 1 $aSomigli, Luca.$0http://id.loc.gov/authorities/names/nr96017157
245 10 $aLegitimizing the artist :$bmanifesto writing and European modernism, 1885-1915 /$cLuca Somigli.
260 $aToronto :$bUniversity of Toronto Press,$c[2003], ©2003.
300 $aviii, 296 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aToronto Italian studies
504 $aIncludes bibliographical references (p. [267]-283) and index.
505 00 $tIntroduction: The Artist in Modernity --$g1.$tStrategies of Legitimation: The Manifesto from Politics to Aesthetics --$tA History of the Manifesto (1550-1850) --$tHow to be a Decadent: Art, Politics, and Society in the --$tManifestoes of Anatole Baju --$g2.$tA Poetics of Modernity: Futurism as the Overturning of Aestheticism --$tFrom Decadentism to Futurism --$tAdvertising Futurism --$g3.$tAnarchists and Scientists: Futurism in England and the Formation of Imagism --$t'Crazy Exploding Pictures': The Reception of Futurism in England, 1910-1914 --$tThe Invention of Imagism: Ezra Pound and the Rhetoric of the Avant-Garde.
520 1 $a"In this work Luca Somigli discusses several European artistic movements - decadentism, Italian futurism, vorticism, and imagism - and argues for the centrality of the works of F.T. Marinetti in the transition from a fin de siecle decadent poetics, exemplified by the manifestoes of Anatole Baju, to a properly avant-garde project aiming at a complete renewal of the process of literary communication and the abolition of the difference between producer and consumer. It is to this challenge that the English avant-garde artists, and Ezra Pound in particular, responded with their more polemical pieces. Somigli suggests that this debate allows us to rethink the relationship between modernism and post-modernism as complementary ways of engaging the loss of an organic relationship between the artist and his social environment."--BOOK JACKET.
650 0 $aModernism (Art)$zEurope.$0http://id.loc.gov/authorities/subjects/sh2010102200
650 0 $aModernism (Literature)$zEurope.$0http://id.loc.gov/authorities/subjects/sh2010102202
650 0 $aFuturism (Art)$zEurope.
650 0 $aFuturism (Literary movement)$zEurope.
650 0 $aAvant-garde (Aesthetics)$zEurope$xHistory$y19th century.
650 0 $aAvant-garde (Aesthetics)$zEurope$xHistory$y20th century.
650 0 $aRevolutionary literature$xHistory and criticism.
650 6 $aModernisme (Art)$zEurope.
650 6 $aModernisme (Littérature)$zEurope.
650 6 $aFuturisme (Art)$zEurope.
650 6 $aFuturisme (Mouvement littéraire)$zEurope.
650 6 $aAvant-garde (Art)$zEurope$xHistoire$y19e siècle.
650 6 $aAvant-garde (Art)$zEurope$xHistoire$y20e siècle.
650 6 $aLittérature révolutionnaire$xHistoire et critique.
830 0 $aToronto Italian studies.$0http://id.loc.gov/authorities/names/n95026425
852 80 $bfax$hN6494 F8$iSo54