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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-009.mrc:412610766:3157
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-009.mrc:412610766:3157?format=raw

LEADER: 03157cam a2200385 a 4500
001 4412969
005 20221102210552.0
008 031113t20042004nyub b 000 0 eng
010 $a 2003025008
020 $a158243266X (alk. paper)
035 $a(OCoLC)54029521
035 $a(OCoLC)ocm54029521
035 $a(NNC)4412969
035 $a4412969
040 $aDLC$cDLC$dDLC$dOrLoB$dNNC$dOrLoB-B
042 $apcc
043 $ae-fr---
050 00 $aN70$b.T93 2004
082 00 $a700/.1$222
100 1 $aTurner, Frederick W.,$d1937-$0http://id.loc.gov/authorities/names/n79113099
245 10 $aIn the land of the temple caves :$bfrom St. Emilion to Paris's St. Sulpice : notes on art and the human spirit /$cFrederick Turner.
260 $aNew York :$bCounterpoint,$c[2004], ©2004.
300 $axvii, 200 pages :$bmaps ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 197-200).
505 00 $tSt. -Emilion -- $tTime travel -- $tArt and crisis -- $tIn the cave of the hundred mammoths -- $tTasting the past -- $tVenus and the castle -- $tLife against death -- $tBalance -- $tOradour-sur-glane -- $tDream of the mythic past -- $tThe mark of the bear -- $tLa Ferrassie -- $tThe weight of the past -- $tBalzac versus Hitler -- $tDegenerate art -- $tReading a forgotten language -- $tIn the hall of the past -- $tSt.-Sulpice.
520 1 $a"Frederick Turner set out to explore the role of art and human expression in what has quickly become known as the age of terrorism. His quest affirmed that it is still as undeniably necessary as air. In the Land of Temple Caves travels back to the very beginning of Art to assess anew its meanings in the long human story. Turner makes a personal investigation of sanctuaries in France and Spain that the great mythographer Joseph Campbell called the "temple caves," the earliest known of which contains paintings and engravings more than 32,000 years old, works of art more advanced than the hunting implements by which their creators lived. Turner starts his journey in St. Emilion at the gateway to the country of the caves and ends it in Paris's St. Sulpice. And in the caves and prehistoric shelters, along the valleys tracing the mighty rivers of the Ice Age, in a war-ravaged village, and in a city church far removed from the country of the caves, Turner finds resonant meaning in what he has always believed to be true. In this travelogue that puts France's land of temple caves and the inviting life above them on a timeless map, it becomes increasingly, movingly clear: Art does matter - vitally - and never more than now."--BOOK JACKET.
650 0 $aArt$xPhilosophy.$0http://id.loc.gov/authorities/subjects/sh85007494
650 0 $aAesthetics.$0http://id.loc.gov/authorities/subjects/sh85001441
600 10 $aTurner, Frederick W.,$d1937-$xTravel$zFrance.
650 0 $aArt, Prehistoric$zFrance.
651 0 $aFrance$xDescription and travel.$0http://id.loc.gov/authorities/subjects/sh85051207
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip0412/2003025008.html
852 80 $bfax$hN66$iT84