Record ID | marc_columbia/Columbia-extract-20221130-009.mrc:414040731:3728 |
Source | marc_columbia |
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LEADER: 03728pam a2200445 a 4500
001 4414368
005 20221102210729.0
008 030825t20042004deua b s001 0 eng
010 $a 2003018990
020 $a087413837X (alk. paper)
035 $a(OCoLC)ocm52937492
035 $a(NNC)4414368
035 $a4414368
040 $aDLC$cDLC$dYDX$dOrLoB-B
043 $ae-uk-en
050 00 $aPR3630$b.W57 2004
082 00 $a821/.5$222
100 1 $aRogers, Pat,$d1938-$0http://id.loc.gov/authorities/names/n93069732
245 14 $aThe symbolic design of Windsor-Forest :$biconography, pageant, and prophecy in Pope's early work /$cPat Rogers.
260 $aNewark :$bUniversity of Delaware Press ;$aCranbury, NJ :$bAssociated University Presses,$c[2004], ©2004.
300 $a270 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 257-264) and index.
505 00 $g1.$tThe poem as pageant : court masque and spectacle -- $g2.$tThe poem as allegory : iconography and emblems -- $g3.$tThe poem as blazon : heraldry and natural description -- $g4.$tThe poem of the river : "father of the British floods" -- $g5.$tThe poem of the forest : "green retreats" -- $g6.$tThe poem as prophecy : empire, providence, and panegyric -- $g7.$tThe poem of time and space : "scenes of opening fate"
520 1 $a"This book offers a full reading of Windsor-Forest (1713), which can be regarded as the last great Renaissance poem in English. Along with An Essay on Criticism, it ranks second in importance only to The Rape of the Lock among the earlier works of Alexander Pope. It is the culmination of Pope's early pastoral phase and at the same time the most nakedly political of his major poems until the bitter satires of his later years. The poem has figured centrally in recent scholarly debate, e.g., in E. P. Thompson's historical classic Whigs and Hunters, as well as in important literary studies by Howard Weinbrot and Laura Brown, where hot topics such as national identity and the imperial drive have been contested." "This book aims to give a coherent account of Windsor-Forest, as the poem draws on a range of artistic modes inherited from classical and Renaissance sources, including the court masque, history painting, heraldic design, architecture, and more. All can be shown to serve a single allegorical purpose, reflected in the language and structure of the poem. However, the argument also confronts political readings of the poem, as it embraces the elements of prophecy and astrology. The book establishes a direct line back to major writers such as Ben Jonson and John Dryden."--BOOK JACKET.
600 10 $aPope, Alexander,$d1688-1744.$tWindsor forest.
600 10 $aPope, Alexander,$d1688-1744$xKnowledge and learning.
650 0 $aHistory.$0http://id.loc.gov/authorities/subjects/sh85061212
600 30 $aStuart, House of$xIn literature.
630 00 $aTreaty of Utrecht$d(1713-1715)$xIn literature.
650 0 $aForests in literature.$0http://id.loc.gov/authorities/subjects/sh85050746
650 0 $aProphecies in literature.$0http://id.loc.gov/authorities/subjects/sh94008374
650 0 $aSymbolism in literature.$0http://id.loc.gov/authorities/subjects/sh85131419
650 0 $aPageants in literature.$0http://id.loc.gov/authorities/subjects/sh94007505
650 0 $aMonarchy in literature.$0http://id.loc.gov/authorities/subjects/sh94006677
651 0 $aWindsor Region (Berkshire, England)$xIn literature.
651 0 $aBerkshire (England)$xIn literature.
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip048/2003018990.html
852 00 $boff,glx$hPR3630$i.W57 2004