MARC Record from marc_columbia

LEADER: 03241cam a22003974a 4500
001 4799262
005 20221103040735.0
008 040223t20042004ctua b 001 0 eng
010 $a 2003113606
020 $a0300096801
024 8 $aR9-420969
035 $a(OCoLC)54643231
035 $a(OCoLC)ocm54643231
035 $a(DLC) 2003113606
035 $a(NNC)4799262
035 $a4799262
040 $aDLC$cDLC$dOrLoB-B
042 $apcc
043 $ae-it---
050 00 $aNE662.R3$bP66 2004
100 1 $aPon, Lisa.$0http://id.loc.gov/authorities/names/nr99002527
245 10 $aRaphael, Dürer, and Marcantonio Raimondi :$bcopying and the Italian Renaissance print /$cLisa Pon.
260 $aNew Haven :$bYale University Press,$c[2004], ©2004.
300 $a216 pages :$billustrations (some color) ;$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [202]-211) and index.
505 00 $tIntroduction: Practical Collaboration and Possessive Authorship -- $g1.$tFraming Marcantonio Raimondi's Prints -- $tA Traffic in Images -- $tA Renaissance Culture of Copying -- $t"Reproductive Engraving": A Modern Category -- $tTranslation as a Trope -- $g2.$tAldus Manutius's Venice -- $tMarcantonio and Durer in Aldine Venice -- $tFrom Poison Gas to Print -- $tWhat is a Publisher? -- $tMarcantonio's Venetian Publisher -- $tPrinting Piety -- $g3.$tRaphael's Signature -- $tSigning for Raphael -- $tA "Venetian" in Rome -- $tPrinted Signatures -- $tFrom Whose Hand? -- $tFraming the Parnassus -- $g4.$tRaphael's Graphic Intelligence -- $tDurer Signs -- $tRaphael Drawing -- $tBlind Stylus, Burin, and Press -- $tCopy, Copia, Cut-and-Paste -- $tThe Massacre of the Innocents -- $g5.$tVasari's Marcantonio -- $t"To counterfeit" -- $tOn Northerners and Northern Voices -- $tPainters and Printmakers -- $tConclusion -- $gApp.$tDocuments Relating to Niccolo and Domenico dal Jesus.
520 1 $a"Lisa Pon focuses on encounters between the engraver Marcantonio Raimondi and three key artists, describing how Marcantonio copied Albrecht Durer's woodcuts, collaborated with Raphael to create printed masterpieces of the Italian Renaissance, and was featured in Giorgio Vasari's Lives of the Artists. She demonstrates various ways the tensions between possessive authorship and practical collaboration in the visual arts arose and were played out: in the collision between legitimate copying and artistic originality: in the parallels between the hand-drawn trace and the printed line: and in the consideration of printmakers within a series of artists biographies." "This book reframes the analysis of both the production of prints and the relation between printmaker and artist during a crucial period in European art."--BOOK JACKET.
600 10 $aRaimondi, Marcantonio,$dapproximately 1480-approximately 1534$xCriticism and interpretation.
600 00 $aRaphael,$d1483-1520$xCriticism and interpretation.
650 0 $aPrints, Renaissance$zItaly.
650 0 $aArtistic collaboration$zItaly$xHistory$y16th century.
600 10 $aDürer, Albrecht,$d1471-1528$xCriticism and interpretation.
650 0 $aArt$xCopying.
852 80 $bfax$hND623 R18$iP768