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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-010.mrc:318522453:2713
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-010.mrc:318522453:2713?format=raw

LEADER: 02713pam a22003494a 4500
001 4803428
005 20221103041333.0
008 031029s2004 nyua k 001 0 eng
010 $a 2003057047
020 $a0805070702
035 $a(OCoLC)62718283
035 $a(OCoLC)ocm62718283
035 $a(NNC)4803428
035 $a4803428
040 $aDLC$cDLC$dYDX$dNNC$dOrLoB-B
042 $apcc
050 00 $aML156.9$b.K7 2004
082 00 $a780.26/6$222
100 1 $aKozinn, Allan.$0http://id.loc.gov/authorities/names/n84044495
245 14 $aThe New York Times essential library :$bclassical music : a critic's guide to the 100 most important recordings /$cAllan Kozinn.
250 $a1st ed.
260 $aNew York :$bTimes Books/Henry Holt,$c2004.
300 $axxxi, 348 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aIncludes index.
504 $aDiscography: p. 321-336.
520 1 $a"For classical music lovers, there is nothing more beguiling and exciting than the range of technique and emotion that can capture or transform the great works in the hands of a conductor and musicians. But with hundreds of recordings released every year, discovering the jewels is a challenge, for newcomers as well as for connoisseurs." "In one hundred original essays, New York Times classical music critic Allan Kozinn offers the ultimate collector's guide, a chronicle of the composers and performers who stir our souls. Kozinn takes you through the core repertory of Bach, Handel, Mozart, Beethoven, and Tchaikovsky, from the medieval meditations of Machaut, through the concertos of Vivaldi, Schubert's lider, the folk-inspired nobility of Mussorgsky, Dvorak, and Sibelius, and the blossoming of American sounds and the rise of minimalism. He considers the legacy of performers and conductors, including the early-music innovations of Sequentia, the idiosyncracies of Glenn Gould, and the far-reaching baton of Leonard Bernstein. He showers you with details, such as the antiaircraft explosions captured in harpsichordist Wanda Landowska's 1940 Paris recordings of Scarlatti sonatas, and explores the personal and historical context of every work. Kozinn's essays on the most dazzling recordings available provide both practical guidance for building a library and insight into the transcendent power of classical music."--BOOK JACKET.
650 0 $aSound recordings$vReviews.$0http://id.loc.gov/authorities/subjects/sh2008112096
650 0 $aMusic$vDiscography.$0http://id.loc.gov/authorities/subjects/sh85088786
730 0 $aNew York times.$0http://id.loc.gov/authorities/names/no2002041097
852 00 $boff,mus$hML156.9$i.K7 2004