Record ID | marc_columbia/Columbia-extract-20221130-010.mrc:329657396:3292 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-010.mrc:329657396:3292?format=raw |
LEADER: 03292cam a2200361 a 4500
001 4820982
005 20221103042839.0
008 031205s2004 nyu b 000 0 eng
010 $a 2003068822
020 $a1403964068
035 $a(OCoLC)ocm53938029
035 $a(NNC)4820982
035 $a4820982
040 $aDLC$cDLC$dC#P$dOrLoB-B
043 $an-us---
050 00 $aPS3573.I45677$bZ57 2004
082 00 $a812/.54$222
245 00 $aAugust Wilson and Black aesthetics /$cedited by Dana A. Williams and Sandra G. Shannon.
260 $aNew York :$bPalgrave Macmillan,$c2004.
300 $avi, 225 pages ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references.
505 00 $g1.$tIntroduction /$rDana A. Williams --$gI.$tBlack aesthetics as theory, art, and ideology --$g2.$tThe development of African American dramatic theory : W. E. B. DuBois to August Wilson - hand to hand! /$rMikell Pinkney --$g3.$tRita Dove's mother love : revising the black aesthetic through the lens of Western discourse /$rTracey L. Walters --$g4.$tThe Ifa paradigm : reading the spirit in Tina McElroy Ansa's Baby of the family /$rGeorgene Bess Montgomery --$g5.$tJust 'cause (or just cause) : on August Wilson's case for a black theater /$rJohn Valery White --$gII.$tBlack aesthetics and interdisciplinary black arts --$g6.$t"Keeping it real" : August Wilson and hip-hop /$rHarry J. Elam, Jr. --$g7.$tGiving voice and vent to African American culture : Katherine Dunham's struggle for cultural ownership in Mambo (1954) /$rDorothea Fischer-Hornung --$g8.$tThe Mumia project : theater activism at Howard University /$rSybil J. Roberts --$gIII.$tAugust Wilson's plays and black aesthetics --$g9.$tPhantom limbs dancing juba rites in August Wilson's Joe Turner's come and gone and The piano lesson /$rReggie Young --$g10.$tSpeaking of voice and August Wilson's women /$rTara T. Green --$g11.$tUsing black rage to elucidate African and African American identity in August Wilson's Joe Turner's come and gone (1911) /$rC. Patrick Tyndall --$gIV.$tCurrent, unpublished interviews that speak to aesthetic issues raised in "The ground on which I stand" --$g12.$tThe ground on which he stands : Charles S. Dutton on August Wilson /$rYolanda Williams Page --$g13.$tA conversation with August Wilson /$rSandra G. Shannon and Dana A. Williams --$gApp.$tA liberating prayer : a lovesong for Mumia /$rSybil J. Roberts --$tAfterword : August Wilson and black aesthetics /$rSandra G. Shannon.
600 10 $aWilson, August$xAesthetics.
650 0 $aHistorical drama, American$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2009126414
650 0 $aAfrican Americans in literature.$0http://id.loc.gov/authorities/subjects/sh85002009
650 0 $aAfrican American aesthetics.$0http://id.loc.gov/authorities/subjects/sh89002903
650 0 $aAesthetics, American.$0http://id.loc.gov/authorities/subjects/sh85001444
650 0 $aAesthetics, Black.$0http://id.loc.gov/authorities/subjects/sh85001447
700 1 $aWilliams, Dana A.,$d1972-$0http://id.loc.gov/authorities/names/n98027930
700 1 $aShannon, Sandra Garrett,$d1952-$0http://id.loc.gov/authorities/names/n87842205
852 00 $bbar$hPS3573.I45677$iZ57 2004