MARC Record from marc_columbia

LEADER: 02484cam a2200337 a 4500
001 4824712
005 20221103043426.0
008 030829t20042004nyua bq 001 0deng
010 $a 2003019417
020 $a0820467456 (alk. paper)
035 $a(OCoLC)ocm52979189
035 $a(NNC)4824712
035 $a4824712
040 $aDLC$cDLC$dYDX$dOrLoB-B
050 00 $aPN1998.3.L445$bJ66 2004
082 00 $a791.43/0233/092$222
100 1 $aJones, Edward Trostle.$0http://id.loc.gov/authorities/names/n78011059
245 10 $aAll or nothing :$bthe cinema of Mike Leigh /$cEdward Trostle Jones.
260 $aNew York :$bP. Lang,$c[2004], ©2004.
300 $axvi, 196 pages :$billustrations ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aFraming film ;$v7
504 $a"A Mike Leigh filmography": p. [179]-184.
504 $aIncludes bibliographical references (p. [185]-189) and index.
505 00 $gCh. 1.$tFirst feature and deferred second : Bleak moments and HighHopes -- $gCh. 2.$tLeigh's television plays -- $gCh. 3.$tReinterpreting the family : Life is sweet and Secrets & lies -- $gCh. 4.$tFailings and flourishings in season of youth : Naked and Career girls -- $gCh. 5.$tHomage to and deconstruction of the heritage film : Topsy-turvy -- $gCh. 6.$tConclusion with a Leigh epitome and challenge : All or nothing -- $tA Mike Leigh filmography.
520 1 $a"This critical study of Mike Leigh's cinema is a comprehensive assessment of his thirty plus years in film, including his television features, from the first feature-length Bleak Moments to All or Nothing. Through his own species of tragicomedy and favored thematic content concentrating on relationships, Leigh enlarges the emotional boundaries of cinema for performers and audience alike. His deep and fully realized characters often subvert both decorum and irony traditionally associated with British film and television. Leigh's sense of the reciprocity and interpenetration of the material mundane, the ridiculous, and the humanistic sublime brings respect for the complexity of the ordinary and merits celebration with the democratic and demotic art of film."--BOOK JACKET.
600 10 $aLeigh, Mike,$d1943-$xCriticism and interpretation.
830 0 $aFraming film ;$vv. 7.$0http://id.loc.gov/authorities/names/n99258256
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip048/2003019417.html
852 00 $boff,glx$hPN1998.3.L445$iJ66 2004