| Record ID | marc_columbia/Columbia-extract-20221130-010.mrc:339551741:2371 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-010.mrc:339551741:2371?format=raw |
LEADER: 02371cam a2200337 a 4500
001 4843945
005 20221109191308.0
008 040106t20042004caua b s001 0 eng
010 $a 2004000202
020 $a0520238621 (cloth : alk. paper)
020 $a0520238915 (pbk. : alk. paper)
035 $a(OCoLC)ocm54001363
035 $a(NNC)4843945
035 $a4843945
040 $aDLC$cDLC$dC#P$dOrLoB-B
050 00 $aPN1995.9.E9$bF17 2004
082 00 $a791.43/015$222
100 1 $aFabe, Marilyn.$0http://id.loc.gov/authorities/names/n78084757
245 10 $aClosely watched films :$ban introduction to the art of narrative film technique /$cMarilyn Fabe.
260 $aBerkeley :$bUniversity of California Press,$c[2004], ©2004.
300 $axviii, 279 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 267-272) and index.
505 00 $g1.$tThe beginnings of film narrative : D. W. Griffith's The birth of a nation --$g2.$tThe art of Montage : Sergei Eisenstein's The battleship Potemkin --$g3.$tExpressionism and realism in film form : F. W. Murnau's The last laugh and Charles Chaplin's The adventurer --$g4.$tThe conversion to sound and the classical Hollywood film : Howard Hawks's His girl Friday --$g5.$tExpressive realism : Orson Welles's Citizen Kane --$g6.$tItalian neorealism : Vittorio De Sica's The bicycle thief --$g7.$tAuteur theory and the French new wave : Francois Truffaut's The 400 blows --$g8.$tHollywood auteur : Alfred Hitchcock's Notorious --$g9.$tThe European art film : Federico Fellini's 8 1/2 --$g10.$tFilm and postmodernism : Woody Allen's Annie Hall --$g11.$tPolitical cinema : Spike Lee's Do the right thing --$g12.$tFeminism and film form : Patricia Rozema's I've heard the mermaids singing --$g13.$tEpilogue : digital video and new forms of narrative in Mike Figgis's Timecode.
650 0 $aMotion pictures$xEvaluation.$0http://id.loc.gov/authorities/subjects/sh85088099
650 0 $aMotion pictures$xAesthetics.$0http://id.loc.gov/authorities/subjects/sh85088085
650 0 $aMotion pictures.$0http://id.loc.gov/authorities/subjects/sh85088084
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip0413/2004000202.html
852 00 $bglx$hPN1995.9.E9$iF17 2004
852 00 $bcomp$hPN1995.9.E9$iF17 2004