MARC Record from marc_columbia

LEADER: 04296cam a2200397 a 4500
001 4846217
005 20221109191407.0
008 031124t20042004nju b 001 0 eng
010 $a 2003025846
020 $a0838640303
020 $a9780838640302
024 $a99937651949
035 $a(OCoLC)53814400
035 $a(OCoLC)ocm53814400\
035 $a(NNC)4846217
035 $a4846217
040 $aDLC$cDLC$dOCL$dBAKER$dBTCTA$dYDXCP$dOrLoB-B
043 $ae-ru---
050 00 $aPG3056$b.S85 2004
082 00 $a891.71/309$222
100 1 $aSukhanova, Ekaterina.$0http://id.loc.gov/authorities/names/n2003056931
245 10 $aVoicing the distant :$bShakespeare and Russian modernist poetry /$cEkaterina Sukhanova.
246 30 $aShakespeare and Russian modernist poetry
260 $aMadison :$bFairleigh Dickinson University Press,$c[2004], ©2004.
300 $a149 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 131-143) and index.
505 00 $tIntroduction : a blissful inheritance -- $gPt. I.$tDynamic model of reception and appropriation of Shakespearean text in Russia -- $g1.$tThe feast of revival -- $g2.$tEnchanted by Shakespeare's resounding name -- $gPt. II.$tAcquiring Shakespeare anew -- $g3.$tOur father Shakespeare : from the tragic to the lyric -- $g4.$tHamlets of our district : from the social to the personal -- $gPt. III.$t"A quotation is a cicada" : poetical dialogue -- $g5.$tFrom the plot to the word : "earth bubbles" -- $g6.$tThe pole of lyric : "I am alone, all sinks to the Pharisee" -- $tThe theme of Hamlet and Ophelia : "I am Hamlet, my blood chills ..." -- $tThe theme of Othello and Desdemona : "the blood-smeared honor of a break-up" -- $tThe theme of Antony and Cleopatra : "and love has outweighted all" -- $g7.$tThe pole of history : "the humiliations of the age"
520 1 $a"The presence of Shakespearean themes and images in Russian modernist poetry, still largely overlooked, provides valuable insight into the general mechanisms of assimilation of foreign texts by Russian modernist poetry. The present study offers extensive bilingual analysis of a large volume of poems (by Akhmatova, Blok, Mandelstam, and Pasternak among others), many of which have not yet been discovered by American readers. Through close textual readings and parallels with the preceding historical periods, the book demonstrates how the dialogical interaction between Russian modernist poets and Shakespeare leads to the expansion of meaning of the canonical texts." "The study aims to show that, within Russian cultural context, all functions of the Shakespearean text came to full actualization only at the time of literary modernism. In Russian modernist poetry, Shakespearean themes and images broke out beyond the constraints of the plot, gained a personal immediacy, and reached the level of a linguistic system capable of generating potentially endless meanings. The semiotic character of the Shakespearean text, brought to the foreground by Russian modernists, was conducive to generic, cultural, and stylistic transpositions (from the tragic to the lyric, from the social to the personal, the from the plot to the word) taking place in Russian poetry of the period. The unique nature of the treatment of Shakespeare during Russian literary modernism consisted in the Shakespearean text being allowed to become a full-fledged participant in a dialogue between cultures. Shakespeare's works proved to function both as litmus paper bringing out the pivotal characteristics of Russian modernist poetry and simultaneously as a catalyst accelerating literary innovation."--BOOK JACKET.
650 0 $aRussian poetry$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh85116011
650 0 $aRussian poetry$y19th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008111030
600 10 $aShakespeare, William,$d1564-1616$xInfluence.$0http://id.loc.gov/authorities/subjects/sh85120955
600 10 $aShakespeare, William,$d1564-1616$xTranslations into Russian$xHistory and criticism.
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip0411/2003025846.html
852 00 $boff,glx$hPG3056$i.S85 2004