MARC Record from marc_columbia

LEADER: 03516cam a22003974a 4500
001 4890136
005 20221109193840.0
008 030912t20042004njua b 001 0 eng
010 $a 2003060513
020 $a0691114633 (cl. : alk. paper)
035 $a(OCoLC)53132265
035 $a(OCoLC)ocm53132265
035 $a(NNC)4890136
035 $a4890136
040 $aDLC$cDLC$dNjP$dOrLoB-B
042 $apcc
043 $aa-ja---$aa-kr---$aa-cc---
050 00 $aND1053.5$b.J86 2004
082 00 $a759.952/09/033$222
100 1 $aJungmann, Burglind.$0http://id.loc.gov/authorities/names/n94028416
245 10 $aPainters as envoys :$bKorean inspiration in eighteenth-century Japanese Nanga /$cBurglind Jungmann.
260 $aPrinceton, NJ :$bPrinceton University Press,$c[2004], ©2004.
300 $a272 pages :$billustrations ;$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 253-265) and index.
505 00 $gPt. I.$tHistorical conditions and the origin of the style --$gCh. 1.$tKorean embassies to Japan in the eighteenth century --$gCh. 2.$tSouthern school painting in China, Korea, and Japan --$gPt. II.$tThe Nanga pioneers and their relationship with Korea --$gCh. 3.$tGion Nankai and the Korean embassy of 1711 --$gCh. 4.$tSakaki Hyakusen, Yanagisawa Kien, and the An Kyon school style --$gPt. III.$tThe second generation : Ike Taiga and the impact of Korean Namjonghwa --$gCh. 5.$tIke Taiga's circle and the Korean embassies --$gCh. 6.$tKorean influence on Ike Taiga's painting style --$gCh. 7.$tKorean true scenery painting and its spread to Japan --$tConclusion : Korean contributions to the creation of the Nanga style --$gApp.$tKorean and Japanese texts.
520 1 $a"It is well known that Japanese literati painting of the eighteenth century was inspired by Chinese styles that found their way to Japan through trade relations. However, because Japanese and American art historians have focused on Japanese-Chinese ties, the fact that Japan also maintained important diplomatic - and aesthetic - relations with Korea during the same period has long been neglected. This illustrated, cogently argued book examines the role of Korean embassies in shaping the new Japanese literati style, known as Nanga in Japan." "Burglind Jungmann describes the eighteenth-century Korean-Japanese diplomatic exchange and the circumstances under which Korean and Japanese painters met. Further, the paintings done by Korean painters during their sojourns in Japan attest to the transmission of a distinctly Korean literati style, called Namjonghwa. By comparing Korean, Japanese, and Chinese paintings, the author shows how the Korean interpretation of Chinese styles influenced Japanese literati painters and helped inspire the creation of their new style."--BOOK JACKET.
650 0 $aPainting, Japanese$yEdo period, 1600-1868.$0http://id.loc.gov/authorities/subjects/sh85096765
650 0 $aNanga.$0http://id.loc.gov/authorities/subjects/sh85089674
650 0 $aPainting, Japanese$xKorean influences.$0http://id.loc.gov/authorities/subjects/sh2003001335
650 0 $aPainting, Japanese$xChinese influences.$0http://id.loc.gov/authorities/subjects/sh85096769
651 0 $aJapan$xRelations$zKorea.$0http://id.loc.gov/authorities/subjects/sh2008106028
651 0 $aKorea$xRelations$zJapan.$0http://id.loc.gov/authorities/subjects/sh2008106361
852 80 $bfax$hND1051$iJ95
852 00 $beal$hND1053.5$i.J86 2004