| Record ID | marc_columbia/Columbia-extract-20221130-010.mrc:374313835:2923 |
| Source | marc_columbia |
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LEADER: 02923pam a22003734a 4500
001 4911456
005 20221109195923.0
008 040120t20042004njua b 000 0 eng
010 $a 2004001343
015 $aGBA475942$2bnb
016 7 $a013018766$2Uk
020 $a0838640354 (alk. paper)
035 $a(OCoLC)ocm54365132
035 $a(NNC)4911456
035 $a4911456
040 $aDLC$cDLC$dC#P$dUKM$dOrLoB-B
041 1 $aeng$hita
042 $apcc
050 00 $aPQ4815.I48$bA225 2004
082 00 $a852/.912$222
100 1 $aDe Filippo, Eduardo,$d1900-1984.$0http://id.loc.gov/authorities/names/n79021834
240 10 $aPlays.$kSelections.$lEnglish$0http://id.loc.gov/authorities/names/n95018038
245 10 $aTheater Neapolitan style :$bfive one-act plays /$cby Eduardo De Filippo ; translated and with an introduction by Mimi Gisolfi D'Aponte.
260 $aMadison :$bFairleigh Dickinson University Press,$c[2004], ©2004.
300 $a128 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 125-128).
505 00 $tPreface : holding a mirror up to language /$rRon Jenkins -- $tPhilosophically speaking (Filosoficamente) [1928] -- $tGennareniello [1932] -- $tSo long, fifth floor! (Quinto piano, ti saluto!) [1934] -- $tThe part of Hamlet (La parte di Amleto) [1940] -- $tDead people aren't scary (Require a l'anema soja...) [1926] (I morti non fanno paura) [1952].
520 1 $a"Theater Neapolitan Style introduces five one act plays by Eduardo De Filippo to English speaking readers and audiences for the first time. Both individually and collectively, these works bring into clear focus the atmosphere and environment of pre- and post-World War II Naples. At the same time they offer the reader/spectator glimpses into unforgettable lives and situations - glimpses that record De Filippo's favorite emblems with marvelous clarity: a Neapolitan setting; a Neapolitan family; a Neapolitan commedia figure." "We witness the playwright's uncanny ability to mix comic and tragic elements simultaneously as romantic courtship prevails despite poverty and infirmity in Philosophically Speaking: a tired marriage and the temptation of youthful flirtation oppose each other in Gennareniello: a government clerk happens upon the demolition of his childhood home in So Long, Fifth Floor; an old actor fantasizes about performing a major role once again in The Part of Hamlet: and a tired salesman learns that his room has been used for the laying out of his deceased landlord in Dead People Aren't Scary."--BOOK JACKET.
600 10 $aDe Filippo, Eduardo,$d1900-1984$vTranslations into English.
700 1 $aD'Aponte, Mimi.$0http://id.loc.gov/authorities/names/n83232092
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip0414/2004001343.html
852 00 $bglx$hPQ4815.I48$iA225 2004