| Record ID | marc_columbia/Columbia-extract-20221130-010.mrc:443447038:1942 |
| Source | marc_columbia |
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LEADER: 01942pam a22003614a 4500
001 4993068
005 20221109203756.0
008 040217t20042004caua bk s001 0 eng
010 $a 2004003478
020 $a0520241843 (cloth : alk. paper)
020 $a0520241851 (pbk. : alk. paper)
035 $a(OCoLC)ocm54454565
035 $a(NNC)4993068
035 $a4993068
040 $aDLC$cDLC$dOrLoB-B
042 $apcc
043 $an-us---
050 00 $aML200.5$b.H83 2004
082 00 $a780/.86/640973$222
100 1 $aHubbs, Nadine.$0http://id.loc.gov/authorities/names/n2004068805
245 14 $aThe queer composition of America's sound :$bgay modernists, American music, and national identity /$cNadine Hubbs.
260 $aBerkeley :$bUniversity of California Press,$c[2004], ©2004.
300 $axi, 282 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 249-263), discography (p. 265), and index.
505 00 $tIntroduction : composing oneself --$g1.$tModernist abstraction and the abstract art : Four saints and the queer composition of America's sound --$g2.$tBeing musical : gender, sexuality, and musical identity in twentieth-century America --$tIntermezzo : my dear Freddy : identity excesses and evasions chez Paul Bowles --$g3.$tA French connection : modernist codes in the musical closet --$g4.$tQueerness, eruption, bursting : U.S. musical modernism at midcentury --$tCoda : Composing oneself (reprise).
650 0 $aMusic$zUnited States$y20th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008108103
650 0 $aNational music$zUnited States$xHistory and criticism.
650 0 $aGay composers$zUnited States.
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip0415/2004003478.html
852 00 $bmus$hML200.5$i.H83 2004
852 00 $bbar$hML200.5$i.H83 2004