MARC Record from marc_columbia

LEADER: 02263cam a2200373 a 4500
001 4996502
005 20221109204130.0
008 040203t20042004ctua b 001 0 eng
010 $a 2004002268
020 $a0300105762 (alk. paper)
035 $a(OCoLC)491901509
035 $a(OCoLC)ocn491901509
035 $a(NNC)4996502
035 $a4996502
040 $aDLC$cDLC$dOrLoB$dOrLoB-B
042 $apcc
043 $ae-uk---
050 00 $aN6768$b.M26 2004
082 00 $a709/.41/09041$222
100 1 $aMalvern, Sue,$d1951-$0http://id.loc.gov/authorities/names/n2004003080
245 10 $aModern art, Britain, and the Great War :$bwitnessing, testimony and remembrance /$cSue Malvern.
260 $aNew Haven [Conn.] ;$aLondon :$bYale University Press for the Paul Mellon Centre for Studies in British Art,$c[2004], ©2004.
300 $avii, 233 pages :$billustrations (some color) ;$c28 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 200-224) and index.
505 00 $g1.$tArt, propaganda and persuasion at Wellington House --$g2.$tRealism, representation and censorship --$g3.$tMaking history : the British War Memorials Committee --$g4.$tModern art, modern war and the impossible project of history painting --$g5.$tPost-war modernisms : William Roberts, David Bomberg, Wyndham Lewis and C. R. W. Nevinson --$g6.$tRedeeming the war : 'Englishness' and remembrance.
520 1 $a"The First World War had a great impact on British modernism and twentieth-century art. This book examines how the British state recruited some of its most controversial artists to produce official art as propaganda and how their work gave witnessed testimony to the trauma of a war that later generations would redeem in acts of remembrance."--BOOK JACKET.
650 0 $aArt, British$y20th century.$0http://id.loc.gov/authorities/subjects/sh2003010015
650 0 $aWorld War, 1914-1918$vArt and the war.$0http://id.loc.gov/authorities/subjects/sh2010119463
650 0 $aArt and war.$0http://id.loc.gov/authorities/subjects/sh85007979
650 0 $aPropaganda in art.$0http://id.loc.gov/authorities/subjects/sh97000600
852 80 $bfax$hN6764$iM29
852 00 $bbar$hN6768$i.M26 2004