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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-011.mrc:139085318:2966
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-011.mrc:139085318:2966?format=raw

LEADER: 02966pam a22004094a 4500
001 5283455
005 20221110011003.0
008 041008t20052005ctua bc 001 0deng
010 $a 2004023962
015 $aGBA502463$2bnb
016 7 $a013079774$2Uk
020 $a0300104472 (alk. paper)
020 $a093110260X (pbk. : alk. paper)
035 $a(OCoLC)ocm56730077
035 $a(NNC)5283455
035 $a5283455
040 $aDLC$cDLC$dYDX$dUKM$dOrLoB-B
042 $apcc
050 00 $aND553.D25$bA4 2005
082 00 $a759.4$222
100 1 $aBordes, Philippe.
245 10 $aJacques-Louis David :$bempire to exile /$cPhilippe Bordes.
260 $aNew Haven :$bYale University Press ;$aWilliamstown, Mass. :$bSterling and Francine Clark Art Institute,$c[2005], ©2005.
300 $axvii, 379 pages :$billustrations (some color) ;$c31 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 00 $tArt after politics -- $tIn the service of Napoleon -- $tPortraits of the consulate and empire -- $tAntiquity revisited -- $tLate drawings : experiments in expression -- $tPortraits in exile -- $tThe image of the artist.
500 $aCatalog of an exhibition organized by the J. Paul Getty Museum and the Sterling and Francine Clark Art Institute, held in Williamstown, Mass., June 5-Sept. 5, 2004.
504 $aIncludes bibliographical references (p. 355-369) and index.
520 1 $a"This illustrated book, focusing on a selection of later paintings and drawings by Jacques-Louis David (1748-1825), is published to accompany the first major exhibition of the artist's work in the United States. Organized by the Sterling and Francine Clark Art Institute and the J. Paul Getty Museum, this exhibition of twenty-seven paintings and twenty-nine drawings is also the first to examine the transformation of David's art during the post-revolutionary period (1800-1825), in particular his work produced during the empire of Napoleon I and the decade of David's exile in Brussels following the Bourbon restoration. Art historian Philippe Bordes establishes David's position after the Terror and discusses the artist's admiration for Napoleon Bonaparte, for whom he served as court painter. The book also investigates David's new approach to antiquity in historical compositions and the avowed influence of the Flemish School on his practice."--BOOK JACKET.
600 10 $aDavid, Jacques Louis,$d1748-1825$vExhibitions.
650 0 $aClassicism in art$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh2009120367
700 1 $aDavid, Jacques Louis,$d1748-1825.$0http://id.loc.gov/authorities/names/n50035639
710 2 $aSterling and Francine Clark Art Institute.$0http://id.loc.gov/authorities/names/n78096939
710 2 $aJ. Paul Getty Museum.$0http://id.loc.gov/authorities/names/n79046211
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip052/2004023962.html
852 80 $bfax$hND553 D28$iB638