MARC Record from marc_columbia

LEADER: 03190pam a2200325 a 4500
001 5320369
005 20221110015817.0
008 040923t20052005nju bi s001 0 eng
010 $a 2004059836
020 $a0874139058 (alk. paper)
035 $a(OCoLC)ocm56614378
035 $a(NNC)5320369
035 $a5320369
040 $aDLC$cDLC$dOrLoB-B
042 $apcc
050 00 $aPQ6656.E72138$bZ73 2005
082 00 $a863/.64$222
245 00 $aMapping the fiction of Cristina Fernández Cubas /$cedited by Kathleen M. Glenn and Janet Pérez.
260 $aNewark, N.J. :$bUniversity of Delaware Press,$c[2005], ©2005.
300 $a230 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 211-219) and index.
505 00 $tIntroduction : of kitchens and attics, journeys and quests /$rKathleen M. Glenn and Janet Perez --$tEffects of the double in Cristina Fernandez Cubas's short fiction /$rAna Rueda --$tReading the sign of Spain : negotiating nationality, language, and gender /$rMaryellen Bieder --$tBeing other in another/'s place : uncanny adventures in Con Agatha en Estambul /$rNancy Vosburg --$tThe Arab/Islamic other in the fiction of Cristina Fernandez Cubas /$rElizabeth Scarlett --$tRepetition, remembrance, and the construction of subjectivity in the works of Cristina Fernandez Cubas /$rAkiko Tsuchiya --$tEl ano de Gracia and the displacement of the word /$rCatherine G. Bellver --$tThe seen, the unseen, and the obscene in Fernandez Cubas's fiction /$rJanet Perez --$tLooking for mom in all the wrong places : the mother-daughter bond and the evolution of identity in El columpio /$rSilvia Bermudez --$tThe metafictional metaphor in El columpio /$rJohn B. Margenot III --$tHermanas de sangre : from published play to made-for-television movie /$rPhyllis Zatlin --$tNarrating the self and the contingencies of memory in Cosas que ya no existen /$rDavid K. Herzberger.
520 1 $a"Cristina Fernandez Cubas is, without question, one of the most important of the Spanish writers who have begun to publish since the end of the Franco dictatorship. Credited with playing a major role in the renaissance of the short story in Spain, she has won national and international acclaim for her fiction. Works by her have been translated into eight languages and have become a staple of university courses on contemporary Peninsular literature. Fernandez Cubas has created a remarkably coherent narrative world, nourished by a core of fundamental concerns. The eleven essays of Mapping the Fiction of Cristina Fernandez Cubas examine the intellectual preoccupations, narrative strategies, and rhetorical devices that distinguish the four volumes of short stories, two novels, the play, and the book of memoirs that she has published to date."--BOOK JACKET.
600 10 $aFernández Cubas, Cristina,$d1945-$xCriticism and interpretation.
700 1 $aGlenn, Kathleen Mary.$0http://id.loc.gov/authorities/names/n80117087
700 1 $aPérez, Janet.$0http://id.loc.gov/authorities/names/n83151860
852 00 $boff,glx$hPQ6656.E72138$iZ73 2005
852 00 $bbar$hPQ6656.E72138$iZ73 2005