MARC Record from marc_columbia

LEADER: 03748cam a2200385 a 4500
001 5327892
005 20221110020928.0
008 040907t20052005njuacf b 001 0beng
010 $a 2004021000
020 $a0838640230 (alk. paper)
035 $a(OCoLC)ocm56490960
035 $a(NNC)5327892
035 $a5327892
040 $aDLC$cDLC$dOCLCQ$dC#P$dIXA$dOrLoB-B
043 $ae-uk---
050 10 $aDA591.A45$bD53 2005
082 00 $a941.085/092$222
100 1 $aDenney, Colleen,$d1959-$0http://id.loc.gov/authorities/names/n95110795
245 10 $aRepresenting Diana, Princess of Wales :$bcultural memory and fairy tales revisited /$cColleen Denney.
260 $aMadison [N.J.] :$bFairleigh Dickinson University Press,$c[2005], ©2005.
300 $a188 pages, 4 unnumbered pages of plates :$billustrations, portraits (some color) ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 175-182) and index.
505 00 $tIntroduction : cultural memory, the princess, and fairy tales revisited --$g1.$tCourted darlings and virgin brides --$g2.$tMothers of future kings : the Madonna redux phenomenon --$g3.$tAngels of mercy and the cultural memory of "the lady bountiful" --$g4.$tDress, royal portraiture, and the royal body --$g5.$tDress as autobiography in the Christie's auction catalog : dresses from the collection of Diana, Princess of Wales --$g6.$tThe princess, globally and locally.
520 1 $a"In this well-illustrated text, Dr. Denney asserts that the artists who image Diana, Princess of Wales, have framed her according to a cultural memory based on traditions of royal portraiture and according to twentieth-century reassertions (that is, reframings) of the debate over feminism and femininity in visual culture. The book encompasses themes of marriage, motherhood, philanthropy, royal dress, and autobiography." "Through an examination of nineteenth- and twentieth-century paintings, photographs, engravings, and popular illustrations, the study engages a comparative visual dialogue on the imaging of royal women. Looking particularly at the nineteenth-century Princess of Wales, Alexandra (born Princess Alexandra of Denmark), the author reveals the persistence of a cultural memory in terms of the proper roles and behaviors of a princess from the nineteenth century to the twentieth century." "By looking at portraits of Diana, Princess of Wales, in conjunction with past royal portraits, the study determines that she, like Princess Alexandra before her, is conscious of tradition and employs it as a matter of survival. The book's methods in this regard include an exploration of royal portrait traditions, gender studies, popular journalism, theories on feminist biography and autobiography, as well as costume theory and history to contextualize the representation of Diana, Princess of Wales." "The text is accompanied by six color photographs, and more than 100 black-and-white illustrations."--BOOK JACKET.
600 00 $aDiana,$cPrincess of Wales,$d1961-1997.$0http://id.loc.gov/authorities/names/n81073496
650 0 $aPrincesses$zGreat Britain$vBiography.$0http://id.loc.gov/authorities/subjects/sh2008109785
650 0 $aFairy tales$xAppreciation$zGreat Britain.$0http://id.loc.gov/authorities/subjects/sh2009003993
600 00 $aDiana,$cPrincess of Wales,$d1961-1997$vPortraits.
600 00 $aDiana,$cPrincess of Wales,$d1961-1997$vPictorial works.
650 0 $aPortrait painting, British.$0http://id.loc.gov/authorities/subjects/sh86006240
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip0422/2004021000.html
852 00 $boff,glx$hDA591.A45$iD53 2005
852 00 $bbar,over$hDA591.A45$iD53 2005