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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-011.mrc:185198002:3906
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-011.mrc:185198002:3906?format=raw

LEADER: 03906pam a2200445 a 4500
001 5330311
005 20221110021149.0
008 050211t20052005nyu b 001 0 eng
010 $a 2005043160
020 $a1586483161
035 $a(OCoLC)ocm57730798
035 $a(NNC)5330311
035 $a5330311
040 $aDLC$cDLC$dYDX$dOrLoB-B
043 $ae-uk---$ae-uk-en
050 00 $aPR3017$b.A75 2005
082 00 $a822.3/3$222
100 1 $aAsquith, Clare.$0http://id.loc.gov/authorities/names/n2005011173
245 10 $aShadowplay :$bthe hidden beliefs and coded politics of William Shakespeare /$cClare Asquith.
250 $a1st ed.
260 $aNew York :$bPublicAffairs,$c[2005], ©2005.
300 $axvii, 348 pages ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [301]-331) and index.
505 00 $g1.$tThe silence of John Nobody --$g2.$tSecret voices --$g3.$tThe protectors --$g4.$tReconciliation, 1588-1592 --$g5.$tPersecution, 1592-1594 --$g6.$tRage, 1594 --$g7.$tAddressing the queen, 1595-1599 --$g8.$tThe Catholic resistance, 1599-1600 --$g9.$tAppeal to the undecided, 1600 --$g10.$tFailure, 1601-1602 --$g11.$tThe king's man, 1603-1604 --$g12.$tThe powder keg, 1605-1606 --$g13.$tThe post-mortem, 1606-1608 --$g14.$tThe second hope, 1608-1616 --$g15.$tSilenced, 1610-1611 --$g16.$t'The lost man', 1611 and after --$gApp.$tSonnet 152.
520 1 $a"In sixteenth-century England many loyal subjects to the crown were asked to make a terrible choice: serve their monarch or their God. The schism between the Crown and the Catholic Church had widened from a theological dispute in the reign of Henry VIII to bitter political conflict under Elizabeth I. It was also the era of the greatest creative genius the world has ever known: William Shakespeare. How, then, was it possible that such a remarkable man born into such violently volatile times should apparently make no comment about the state of England in his work? He did. But it was hidden." "Clare Asquith traces the common code used covertly by dissident writers in the sixteenth century to discuss the tribulations of their time, and reveals that the acknowledged master of this forgotten art form was William Shakespeare. Constantly attacking and exposing a regime that he believed had seized illegal control of the country he loved, Shakespeare's work, seen from this new perspective, offers a revelatory insight into the politics and personalities of his era."--BOOK JACKET.
600 10 $aShakespeare, William,$d1564-1616$xPolitical and social views.$0http://id.loc.gov/authorities/subjects/sh85121022
600 10 $aShakespeare, William,$d1564-1616$xKnowledge and learning.$0http://id.loc.gov/authorities/subjects/sh85120996
650 0 $aHistory.$0http://id.loc.gov/authorities/subjects/sh85061212
600 10 $aShakespeare, William,$d1564-1616$xReligion.$0http://id.loc.gov/authorities/subjects/sh85121033
650 0 $aPolitics and literature$zGreat Britain$xHistory$y16th century.$0http://id.loc.gov/authorities/subjects/sh2008109406
650 0 $aLiterature and history$zGreat Britain$xHistory$y16th century.$0http://id.loc.gov/authorities/subjects/sh2009129894
650 0 $aChristianity and literature$zEngland$xHistory$y16th century.$0http://id.loc.gov/authorities/subjects/sh2008100194
650 0 $aHistorical drama, English$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008105680
650 0 $aPolitical plays, English$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008109667
650 0 $aCatholics$zEngland$xHistory$y16th century.$0http://id.loc.gov/authorities/subjects/sh2008100192
650 0 $aCatholics$zEngland$xIntellectual life.$0http://id.loc.gov/authorities/subjects/sh2008100191
852 00 $bglx$hPR3017$i.A75 2005
852 00 $bbar$hPR3017$i.A75 2005