Record ID | marc_columbia/Columbia-extract-20221130-011.mrc:200337623:1645 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-011.mrc:200337623:1645?format=raw |
LEADER: 01645pam a2200313 a 4500
001 5347267
005 20221110023355.0
008 050418t20052005nyu b 001 0 eng
010 $a 2005046183
020 $a0773461981
035 $a(OCoLC)ocm60375420
035 $a(NNC)5347267
035 $a5347267
040 $aDLC$cDLC$dYDX$dOrLoB-B
050 00 $aPS3551.L35774$bZ68 2005
082 00 $a818/.5409$222
100 1 $aJames, Meredith K.$0http://id.loc.gov/authorities/names/n2005033377
245 10 $aLiterary and cinematic reservation in selected works of Native American author Sherman Alexie /$cMeredith K. James.
260 $aLewiston, N.Y. :$bEdwin Mellen Press,$c[2005], ©2005.
300 $av, 95 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aNative American studies ;$vv. 18
504 $aIncludes bibliographical references (p. [89]-92) and index.
505 00 $tPreface /$rRick Hornung -- $gCh. 1.$t"Uncle Adrian! I'm in the reservation of my mind" : Native writers creating the literary reservation -- $gCh. 2.$tDances with worlds : Alexie's cinematic translation of The Lone Ranger and Tonto fistfight in heaven -- $gCh. 3.$t"I fill my pockets with those reservation blues" : survival songs in Reservation blues -- $gCh. 4.$t"The res has missed you" : the fragmented reservation of the mind in The business of fancydancing.
600 10 $aAlexie, Sherman,$d1966-$xCriticism and interpretation.
650 0 $aIndians in literature.$0http://id.loc.gov/authorities/subjects/sh85065082
830 0 $aNative American studies ;$vv. 18.
852 00 $bglx$hPS3551.L35774$iZ68 2005