MARC Record from marc_columbia

LEADER: 03624cam a22004218a 4500
001 5347331
005 20221110023400.0
008 041122s2005 ctua f 000 0 eng
015 $aGBA508936$2bnb
016 7 $a013099524$2Uk
020 $a0300108265 (hbk.)
024 30 $a9780300108262 (hbk.)
035 $a(OCoLC)ocm57574538
035 $a(NNC)5347331
035 $a5347331
040 $aUKM$cUKM$dNNC$dOrLoB-B
082 04 $a741.9$222
245 00 $a3x an abstraction :$bnew methods of drawing by Hilma af Klint, Emma Kunz and Agnes Martin /$cedited by Catherine de Zegher and Hendel Teicher.
260 $aNew Haven, Conn. ;$aLondon :$bYale University Press,$c2005.
263 $a200505
300 $a284 pages :$billustrations (some color) ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aPublished in association with The Drawing Center, New York City.
505 00 $tAcknowledgements /$rCatherine de Zegher --$tAbstract /$rCatherine de Zegher --$tEnhancing stillness : the art of Agnes Martin /$rKathryn A. Tuma --$tIdealities /$rBirgit Pelzer --$tMaking pictures belong : Hilma of Klint's order of transcendence /$rElizabeth Finch --$tList of works (1) --$tKaleidoscopic visions /$rHendel Teicher --$tList of works (2) --$tAgnes dreaming : dreaming Agnes /$rGriselda Pollock --$tDrawing drawing : Agnes Martin's infinity /$rBriony Fer --$tThe art-and-healing oeuvre /$rBracha L. Ettinger.
520 1 $a"3 X abstraction presents the extraordinary work of three artists from different generation who have approached non-objectivity and abstraction not as formalism, but as a means of structuring philosophical, scientific, and transcendental ideas. Using line, geometry, and the grid, Hilma af Klint (Sweden, 1862-1944), Emma Kunz (Switzerland, 1892-1963), and Agnes Martin (Canada/U.S., 1912-2004) developed methods of drawing relationships between the phenomenal world and the ideal world in support of the belief that art is fundamentally linked to the forces and processes of life." "This catalogue gathers in its pages the rarely reproduced compositions made by Hilma of Klint between 1895 and 1920; the complex geometrical line tracings of Emma Kunz, exhibited in the United States for the first time; and contemplative early works by Agnes Martin from the 1960s and 1970s. By considering collectively the works of these three artists, 3 x Abstraction presents the work of af Klint and Kunz, eclipsed for so long, and revisits the work of Martin from a new perspective to highlight the pioneering position those artists assumed in the history of modern abstraction."--BOOK JACKET.
600 10 $aKlint, Hilma af,$d1862-1944.$0http://id.loc.gov/authorities/names/n91111400
600 10 $aKunz, Emma,$d1892-1963.$0http://id.loc.gov/authorities/names/n94027122
600 10 $aMartin, Agnes,$d1912-2004.$0http://id.loc.gov/authorities/names/n50040906
650 0 $aDrawing$y20th century$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh2008102408
650 0 $aDrawing, Abstract$vExhibitions.
700 1 $aKlint, Hilma af,$d1862-1944.$0http://id.loc.gov/authorities/names/n91111400
700 1 $aKunz, Emma,$d1892-1963.$0http://id.loc.gov/authorities/names/n94027122
700 1 $aMartin, Agnes,$d1912-2004.$0http://id.loc.gov/authorities/names/n50040906
700 1 $aZegher, M. Catherine de.$0http://id.loc.gov/authorities/names/n95113039
700 1 $aTeicher, Hendel.$0http://id.loc.gov/authorities/names/n81087981
710 2 $aDrawing Center (New York, N.Y.)$0http://id.loc.gov/authorities/names/n79052683
852 80 $bfax$hND793 K68$iAa14