| Record ID | marc_columbia/Columbia-extract-20221130-011.mrc:238556718:3354 |
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LEADER: 03354pam a2200397 a 4500
001 5403620
005 20221110031641.0
008 041227t20052005ohua b s001 0 eng
010 $a 2004030580
015 $aGBA529342$2bnb
016 7 $a013170537$2Uk
020 $a0821416219 (cloth : alk. paper)
020 $a0821416227 (pbk. : alk. paper)
024 30 $a9780821416228 (pbk. : alk. paper)
035 $a(OCoLC)ocm57392587
035 $a(NNC)5403620
035 $a5403620
040 $aDLC$cDLC$dYDX$dUKM$dBAKER$dNNC$dOrLoB-B
050 00 $aPR2995$b.B88 2005
082 00 $a822.3/3$222
100 1 $aButler, Colin.$0http://id.loc.gov/authorities/names/n2004148395
245 14 $aThe practical Shakespeare :$bthe plays in practice and on the page /$cColin Butler.
260 $aAthens :$bOhio University Press,$c[2005], ©2005.
300 $a205 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. [191]-196) and index.
505 00 $tDe Witt sketch of the swan theater --$g1.$tFirst steps : writing for performance; using the physical features of the playhouses; sound effects and music; writing with specific actors in mind; "the purpose of playing" --$g2.$tEntrances and early words --$g3.$tExits --$g4.$tCharacterization --$g5.$tScenes not shown --$g6.$tControlling the audience's responses (I) : places; times of day and night; the Bible --$g7.$tControlling the audience's responses (II) : long plot lines; setting up situations early; risk management; two storms --$g8.$tUntruthful behavior : telling and acting lies in The merry wives of Windsor, Romeo and Juliet, Much ado about nothing, All's well that ends well, Measure for measure, King Lear, Cymbeline, and The winter's tale --$g9.$tStaging decisive moments : the letter scene in twelfth night, the observation scene in Troilus and Cressida, and Leontes's denunciation of Hermione to Camillo in The winter's tale --$g10.$tPrologues and choruses.
520 1 $a"Clear, easy-to-use, and comprehensive, The Practical Shakespeare looks at stage-craft and playwriting as conduits for students, teachers, and general audiences to engage with, understand, and appreciate the genius of Shakespeare." "Colin Butler draws from many mainstream plays, such as Macbeth, Othello, Much Ado about Nothing, and A Midsummer Night's Dream, to bring special focus to the way. Shakespeare uses the stage to his advantage. Butler supports his major points with quotations, so readers can understand an issue even if they are unfamiliar with the particular play being discussed. The author also cross-references the use of dramatic devices in the plays, increasing the reader's appreciation of Shakespeare's achievements."--BOOK JACKET.
600 10 $aShakespeare, William,$d1564-1616$xTechnique.$0http://id.loc.gov/authorities/subjects/sh85121051
600 10 $aShakespeare, William,$d1564-1616$xDramatic production.$0http://id.loc.gov/authorities/subjects/sh85120938
650 0 $aTheater$xProduction and direction.$0http://id.loc.gov/authorities/subjects/sh85134542
650 0 $aDrama$xTechnique.$0http://id.loc.gov/authorities/subjects/sh85039333
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip055/2004030580.html
852 00 $bglx$hPR2995$i.B88 2005
852 00 $bbar$hPR2995$i.B88 2005