MARC Record from marc_columbia

LEADER: 02950cam a22003614a 4500
001 5406354
005 20050927121530.0
008 040525s2005 nyua b 001 0 eng
010 $a 2004051921
019 $a60587694
020 $a052180809X
035 $a(OCoLC)ocm55510317
035 $a(NNC)5406354
040 $aDLC$cDLC$dYDX$dVVC$dOrLoB-B
042 $apcc
043 $ae-it---
049 $aZCUA
050 00 $aN6923.R3$bC36 2005
082 00 $a759.5$222
245 04 $aThe Cambridge companion to Raphael /$cedited by Marcia B. Hall.
260 $aNew York, NY :$bCambridge University Press,$cc2005.
300 $axiii, 415 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. 400-404) and index.
505 00 $tIntroduction /$rMarcia B. Hall -- $g1.$tYoung Raphael and the practice of painting in Renaissance Italy /$rJeryldene M. Wood -- $g2.$tRaphael and his patrons : from the court of Urbino to the Curia and Rome /$rSheryl E. Reiss -- $g3.$tThe contested city : urban form in early sixteenth-century Rome /$rLinda Pellecchia -- $g4.$tThe Vatican stanze /$rIngrid Rowland -- $g5.$tOne artist, two sitters, one role : Raphael's papal portraits /$rJoanna Woods-Marsden -- $g6.$tThe competition between Raphael and Michelangelo and Sebastiano's role in it /$rCostanza Barbieri -- $g7.$tRaphael's workshop and the development of a managerial style /$rBette Talvacchia -- $g8.$tRaphael's multiples /$rPatricia Emison -- $g9.$tRaphael drawings, pro-contra /$rLinda Wolk-Simon -- $g10.$tClassicism, mannerism, and the relieflike style /$rMarcia B. Hall -- $g11.$tFrench identity in the realm of Raphael /$rCarl Goldstein -- $g12.$tRaphael's European fame in the seventeenth and eighteenth centuries /$rGiovanna Perini -- $g13.$tRestoring Raphael /$rCathleen Sara Hoeniger.
520 1 $a"This companion volume provides a timely reassessment of Raphael, the rare painter who has never gone out of fashion, and addresses the interests of recent scholarship, which has changed the focus from concerns with attribution and definition of the artist's style and the High Renaissance to more practical matters. Essays in this volume examine the intellectual and cultural history of sixteenth-century Rome and Florence that have made it possible to set Raphael in the context of his patrons and his other contemporaries. They demonstrate Raphael's considerable skills as the manager of the largest workshop of his day, one that provided a model for many artists who followed him."--BOOK JACKET.
600 00 $aRaphael,$d1483-1520$xCriticism and interpretation.
650 0 $aArt, Italian$y16th century.
650 0 $aArt, Renaissance$zItaly.
700 0 $aRaphael,$d1483-1520.
700 1 $aHall, Marcia B.
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/cam051/2004051921.html
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/description/cam051/2004051921.html
852 80 $bfax$hND623 R18$iC14