MARC Record from marc_columbia

LEADER: 03350pam a22004094a 4500
001 5420110
005 20221110033542.0
008 050222t20052005paua bc 001 0 eng
010 $a 2005004920
020 $a0876331894 (PMA cloth)
020 $a0876331908 (PMA paper)
020 $a0300111371 (Yale cloth)
035 $a(OCoLC)ocm57893802
035 $a(NNC)5420110
035 $a5420110
040 $aDLC$cDLC$dYDX$dBAKER$dYUS$dOrLoB-B
042 $apcc
050 00 $aTR647.A827$bB37 2005
082 00 $a770/.92$222
100 1 $aBarberie, Peter,$d1970-$0http://id.loc.gov/authorities/names/n2005012690
245 10 $aLooking at Atget /$cPeter Barberie ; with an essay on the photographic materials by Beth A. Price and Ken Sutherland.
260 $aPhiladelphia, PA :$bPhiladelphia Museum of Art ;$aNew Haven :$bYale University Press,$c[2005], ©2005.
300 $aix, 125 pages :$billustrations ;$c30 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $a"Published on the occasion of the exhibition Looking at Atget, Philadelphia Museum of Art, September 10 to November 27, 2005."--T.p. verso.
504 $aIncludes bibliographical references (p. 121) and index.
520 1 $a"Renowned for his alluring and provocative photographs of the monuments, interiors, streets, and people of Paris and its environs, Eugene Atget (1857-1927) carefully recorded the details of his subjects for a range of clients, including artists, designers, and libraries. Although not well known in his lifetime, Atget's influential work is now in the collections of almost all of the world's major museums. This book, replete with exquisite reproductions of 110 Atget photographs - including a number of previously unpublished images - features selections from the Philadelphia Museum of Art's magnificent holdings, comprised largely of works from the collection of the celebrated American gallery owner Julien Levy." "Peter Barberie explores the earliest and most compelling accounts of Atget's photography and describes the efforts undertaken by Levy and by the American photographer Berenice Abbott - each with a different perspective on Atget's work - to promote his legacy in the United States. By analyzing how Atget organized the albums he used in his workroom and sold to his institutional clients, Barberie also offers fresh insights into the photographer's working methods and purposes. Conservation scientists Beth A. Price and Ken Sutherland discuss their findings about the processes and materials used by Atget and by Abbott, who printed from Atget's negatives after acquiring the contents of his studio in 1928."--BOOK JACKET.
650 0 $aPhotography, Artistic$vExhibitions.$0http://id.loc.gov/authorities/subjects/sh2008108790
600 10 $aAtget, Eugène,$d1857-1927$vExhibitions.
700 1 $aAtget, Eugène,$d1857-1927.$0http://id.loc.gov/authorities/names/n79063196
700 1 $aPrice, Beth A.$0http://id.loc.gov/authorities/names/no2004095561
700 1 $aSutherland, Ken,$d1970-$0http://id.loc.gov/authorities/names/n2005012856
710 2 $aPhiladelphia Museum of Art.$0http://id.loc.gov/authorities/names/n79005616
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip058/2005004920.html
852 80 $bfax$hNH32 At31$iB23
852 00 $bbar,over$hTR647.A827$iB37 2005