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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-011.mrc:273888912:2772
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-011.mrc:273888912:2772?format=raw

LEADER: 02772pam a22003974a 4500
001 5452202
005 20221110040603.0
008 050512s2005 nyua b 001 0deng
010 $a 2005013782
015 $aGBA565176$2bnb
016 7 $a013265288$2Uk
020 $a0810959321 (hardcover with jacket : alk. paper)
020 $a0810992183 (pbk.)
020 $a9780060923198 (pbk.)
035 $a(OCoLC)ocm60414453
035 $a(NNC)5452202
035 $a5452202
040 $aDLC$cDLC$dYDX$dUKM$dBAKER$dNNC$dOrLoB-B
042 $apcc
050 00 $aND237.S6326$bH47 2005
082 00 $a759.13$222
100 1 $aHerrera, Hayden.$0http://id.loc.gov/authorities/names/n82027687
245 10 $aJoan Snyder /$cHayden Herrera ; with an essay by Jenni Sorkin ; introduction, Norman L. Kleeblatt.
260 $aNew York :$bHarry N. Abrams,$c2005.
300 $a179 pages :$bchiefly color illustrations ;$c28 x 30 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
500 $aBarnard Library copy: Barnard Alum Collection.$5NNC
504 $aIncludes bibliographical references (p. 174-176) and index.
505 00 $tIntroduction /$rNorman L. Kleeblatt --$tJoan Snyder : speaking with paint /$rHayden Herrera --$tJoan Snyder : the geography of the surface /$rJenni Sorkin --$tPlates --$tStrokes --$tFields --$tNarrative.
520 1 $a"Although Joan Snyder's compelling paintings are often placed under various art-movement umbrellas - Abstract Expressionism, Neo-Expressionism, and Feminist Art - her work has always been difficult to categorize. In the first major book on this influential artist, Hayden Herrera brings new insight to Snyder's mixed-medium works and their combination of female imagery, dynamic brush strokes, and accomplished formalism." "Through rich illustrations and illuminating text, Joan Snyder details the complex evolution of the artist's works, from her evocative brush strokes in Symphony and Summer Orange, which drip with 'rivulets of feeling,' to her slow progression toward the formal structures of grid landscapes like Symphony III, to her bold historical and political works like Women In Camps. Since the 1980s, Snyder's paintings have taken on an autobiographical and often deeply personal tone, as expressed in Love's Pale Graves. Her latest paintings, such as the majestic Women Make Lists, represent a culmination of the grief, jubilation, and, finally, transcendence that reside in the heart of Snyder's work."--BOOK JACKET.
600 10 $aSnyder, Joan,$d1940-$xCriticism and interpretation.
700 1 $aSorkin, Jenni.$0http://id.loc.gov/authorities/names/nb2002054312
852 00 $bbar,stor$hND237.S6326$iH47 2005
852 80 $bfax$hND239 Sn92$iH43
852 00 $bbar,over$hND237.S6326$iH47 2005