Record ID | marc_columbia/Columbia-extract-20221130-011.mrc:276177607:3240 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-011.mrc:276177607:3240?format=raw |
LEADER: 03240cam a2200457 a 4500
001 5454453
005 20221110040925.0
008 050217t20052005pauab b 001 0 eng
010 $a 2005042242
015 $aGBA567763$2bnb
016 7 $a013270374$2Uk
020 $a0812238885 (cloth : alk. paper)
024 3 $a9780812238884
035 $a(OCoLC)ocm58422678
035 $a(NNC)5454453
035 $a5454453
040 $aDLC$cDLC$dUKM$dC#P$dBAKER$dOrLoB-B
043 $ae-uk---$an-us---
050 00 $aPR868.C25$bM37 2005
082 00 $a823/.8093553$222
100 1 $aMcLaughlin, Kevin,$d1959-$0http://id.loc.gov/authorities/names/n94097276
245 10 $aPaperwork :$bfiction and mass mediacy in the Paper Age /$cKevin McLaughlin.
260 $aPhiladelphia :$bUniversity of Pennsylvania Press,$c[2005], ©2005.
300 $a181 pages :$billustrations, map ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aCritical authors & issues
504 $aIncludes bibliographical references (p. [161]-176) and index.
505 00 $tIntroduction : apparitions of paper -- $g1.$tDistraction in America : paper, money, Poe -- $g2.$tOff the map : Stevenson's Polynesian fiction -- $g3.$tTransatlantic connections : "paper language" in Melville -- $g4.$tThe paper state : collective breakdown in Dickens's Bleak house -- $g5.$tPretending to read : Hardy's The Mayor of Casterbridge -- $tAfterword : the novel collective.
520 1 $a"Kevin McLaughlin argues for a literary-critical approach to the impact of the mass media on literature through a series of detailed interpretations of paper in fiction by Poe, Stevenson, Melville, Dickens, and Hardy. In this fiction, he argues, paper dramatizes the "withdrawal," as Benjamin puts it, of the "here and now" of the traditional work of art into the dispersing or distracting movement of the mass media. Paperwork seeks to challenge traditional concepts of medium and message that continue to inform studies of print culture and the mass media especially in the wake of industrialized production in the early nineteenth century. It breaks new ground in the exploration of the difference between mass culture and literature and will appeal to cultural historians and literary critics alike."--BOOK JACKET.
650 0 $aEnglish fiction$y19th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2008103100
650 0 $aCapitalism and literature$zEnglish-speaking countries$xHistory$y19th century.
650 0 $aLiterature publishing$zEnglish-speaking countries$xHistory$y19th century.
650 0 $aMass media$zEnglish-speaking countries$xHistory$y19th century.
650 0 $aAmerican fiction$y19th century$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2007101032
650 0 $aEconomics and literature$zEnglish-speaking countries.
650 0 $aPaper money$zEnglish-speaking countries.
650 0 $aEconomics in literature.$0http://id.loc.gov/authorities/subjects/sh85040871
650 0 $aMoney in literature.$0http://id.loc.gov/authorities/subjects/sh85086801
830 0 $aCritical authors & issues.$0http://id.loc.gov/authorities/names/n96110032
852 00 $bglx$hPR868.C25$iM37 2005