MARC Record from marc_columbia

LEADER: 03279pam a22004094a 4500
001 5458544
005 20221110041551.0
008 050621t20052005miua bc 001 0 eng
010 $a 2005017847
015 $aGBA558801$2bnb
016 7 $a013250620$2Uk
020 $a0520246624 (cloth : alk. paper)
035 $a(OCoLC)ocm60715253
035 $a(NNC)5458544
035 $a5458544
040 $aDLC$cDLC$dYDX$dUKM$dBAKER$dOrLoB-B$dNNC
042 $apcc
050 00 $aN6537.S2$bA4 2005a
082 00 $a709/.2$222
100 1 $aSaar, Betye.$0http://id.loc.gov/authorities/names/n80007387
245 10 $aBetye Saar :$bextending the frozen moment /$cessays by James Christen Steward [and others].
260 $aAnn Arbor :$bUniversity of Michigan Museum of Art ;$aBerkeley :$bUniversity of California Press,$c[2005], ©2005.
300 $a176 pages :$billustrations (chiefly color) ;$c31 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
505 00 $tAcknowledgments /$rJames Christen Steward --$tArtist's statement /$rBetye Saar --$t"Lest we forget" : the liberating art of Betye Saar /$rJames Christen Steward --$tLooks and gazes : photographic fragmentation and the found object /$rDeborah Willis --$tTo/from Los Angeles with Betye Saar /$rKellie Jones --$tReverencing the mortal : assemblage art as prophetic protest in post-World War II California /$rRichard Candida Smith --$tFrom frozen moment to spectator participation : assemblage and installation in the oeuvre of Betye Saar /$rLowery Stokes Sims --$tPlates and catalogue entries /$rSean M. Ulmer and Katharine Derosier Weiss --$tMysticism --$tAncestry and ritual --$tRacial imagery and stereotypes --$tNostalgia and memory --$tAunt Hattie --$tColored.
500 $aPublished in conjunction with the exhibition Betye Saar: extending the frozen moment, held at the University of Michigan Museum of Art, Ann Arbor, Oct. 15, 2005-Jan. 8, 2006; at the Norton Museum, West Palm Beach, Florida, Mar. 18-June 11, 2006; and at the Pennsylvania Academy of the Fine Arts, Philadelphia, Sept. 8-Dec. 3, 2006.
504 $aIncludes bibliographical references (p. 170-172) and index.
520 1 $a"Betye Saar's interest in nostalgia, memory, and history is often expressed through the incorporation of found photographs in her assemblages. The photographic fragment, "the frozen moment," is a vital thread in Saar's work, holding the power to challenge stereotypes and reconstruct and reclaim the identities of those lost to history. Surveying the career of this remarkable artist through the lens of photography offers fresh perspectives on contemporary art, feminism, and American culture and politics from the 1960s and 1970s to our own time."--BOOK JACKET.
600 10 $aSaar, Betye$vExhibitions.
700 1 $aSteward, James Christen.$0http://id.loc.gov/authorities/names/n95035576
710 2 $aUniversity of Michigan.$bMuseum of Art.$0http://id.loc.gov/authorities/names/n80040326
710 2 $aNorton Museum of Art.$0http://id.loc.gov/authorities/names/nr95026568
710 2 $aPennsylvania Academy of the Fine Arts.$0http://id.loc.gov/authorities/names/n80086348
852 80 $bfax$hNB239 Sa12$iSa116
852 00 $bbar$hN6537.S2$iA4 2005a
852 00 $boff,glx$hN6537.S2$iA4 2005a