Record ID | marc_columbia/Columbia-extract-20221130-011.mrc:291132176:4477 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-011.mrc:291132176:4477?format=raw |
LEADER: 04477pam a2200349 a 4500
001 5469856
005 20221110042901.0
008 050405t20052005nyu b 001 0 eng
010 $a 2005044163
020 $a1931082863
020 $a1931082855 (alk. paper)
035 $a(OCoLC)OCM59011501
035 $a(NNC)5469856
035 $a5469856
040 $aDLC$cDLC$dBAKER$dC#P$dOrLoB-B
050 00 $aPS3545.H16$bA6 2005
082 00 $a811/.52$222
100 1 $aWharton, Edith,$d1862-1937.$0http://id.loc.gov/authorities/names/n79151500
240 10 $aPoems.$kSelections$0http://id.loc.gov/authorities/names/n92080967
245 10 $aSelected poems /$cEdith Wharton ; Louis Auchincloss, editor.
260 $aNew York :$bLibrary of America,$c[2005], ©2005.
300 $axxii, 183 pages ;$c20 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aAmerican poets project ;$v18
504 $aIncludes bibliographical references (p. 175-180) and index.
505 00 $gI.$tLe Viol d'Amour -- $gII.$tVespers -- $gIII.$tBettine to Goethe -- $tSpring song -- $tProphecies of summer -- $tSong ("o love, where are the hours fled") -- $tHeaven -- $t"Maiden, arise" -- $tSpring -- $tMay Marian -- $tOpportunities -- $t"The last token" -- $tRaffaelle to the fornarina -- $tChriemhild of Burgundy -- $tSome woman to some man -- $tLines on Chaucer -- $tWhat we shall say fifty years hence, of our fancy-dress quadrille -- $tNothing more -- $tJune and December -- $tOctober -- $tA woman I know -- $tDaisies -- $tImpromptu -- $tNotre Dame des fleurs -- $tTranslations from the German (three songs from the German of Emanuel Geibel) -- $tLonging (from the German of Schiller) -- $tA song (from the German of Ruckert) -- $tArtemis to Actaeon -- $tLife -- $tVesalius in Zante -- $tMargaret of Cortona -- $tA torchbearer -- $tThe mortal lease -- $tExperience -- $tGrief -- $tChartres -- $tTwo backgrounds -- $tThe tomb of Ilaria Guinigi -- $tThe one grief -- $tThe eumenidies -- $tOrpheus -- $tAn autumn sunset -- $tMoonrise over Tyringham -- $tAll souls -- $tAll saints -- $tThe old pole star -- $tA grave -- $tNon dolet! -- $tA hunting-song -- $tSurvival -- $tUses -- $tA meeting -- $tNightingales in Provence -- $tMistral in the Maquis -- $tLes Salettes -- $tDieu d'Amour -- $tSegesta -- $tThe tryst -- $tBattle sleep -- $tElegy -- $tWith the tide -- $tLa folle du logis -- $tThe first year -- $tAlternative epitaphs -- $tOnly a child -- $tThe parting day -- $tAreopagus -- $tEuryalus -- $tHappiness -- $tBotticelli's Madonna in the Louvre -- $tThe sonnet -- $tThe last Giustiniani -- $tLife -- $tJade -- $tPhaedra -- $tMould and vase -- $tThe bread of angels -- $tOgrin the hermit -- $tSummer afternoon -- $tHigh pasture -- $tBelgium -- $tThe hymn of the Lusitania -- $tThe great blue tent -- $t"On active service" -- $tYou and you -- $tLyrical epigrams -- $tGarden valedictory -- $tHad I been only -- $tTreasure -- $tIntense love's utterance -- $tSong ("mirth of life's blooming time") -- $tGifts -- $tOctober in Newport -- $tCynthia -- $t"O love, let the world for once go by" -- $t"When I am gone, recall my hair" -- $tSenlis -- $tThe coming of the God -- $tTerminus -- $t"She said to me : 'Nay, take my body and eat'" -- $tEx tenebrae -- $tRestoration -- $tThe room -- $tRambouillet -- $t"You come between me & the night" -- $tBeaumetz, February 23rd. 1915.
520 1 $a"From first to last, poetry was part of Edith Wharton's writing life. While rarely (after early youth) her primary focus, it always served her as a medium for recording the most vivid impressions and emotions, an intimate journal of longings and regrets. In later years her poetry also engaged with the public passions of wartime, as she found herself involved with the plight of Allied soldiers in France. Her first models were Romantic, but in the course of her life she absorbed the influences of symbolism and Modernism; and throughout her poetic career she showed a care for form even in her most private utterances, as in the erotic ode "Terminus," never published in her lifetime. This volume collects the bulk of Wharton's significant poetry, including much work previously uncollected or unpublished."--BOOK JACKET.
700 1 $aAuchincloss, Louis.$0http://id.loc.gov/authorities/names/n79042194
830 0 $aAmerican poets project ;$v18.$0http://id.loc.gov/authorities/names/n2002041353
852 00 $bglx$hPS3545.H16$iA6 2005
852 00 $bushi$hPS3545.H16$iA6 2005