Record ID | marc_columbia/Columbia-extract-20221130-011.mrc:317772493:2830 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-011.mrc:317772493:2830?format=raw |
LEADER: 02830cam a22004334a 4500
001 5498784
005 20221110050212.0
008 050427t20052005ctua b 001 0 eng
010 $a 2005012042
015 $aGBA568754$2bnb
016 7 $a013274089$2Uk
020 $a0300110006 (cl : alk. paper)
035 $a(OCoLC)ocm60321467
035 $a(NNC)5498784
035 $a5498784
040 $aDLC$cDLC$dUKM$dBAKER$dC#P$dOrLoB-B
042 $apcc
043 $ae-it---
050 00 $aND623.T7$bP87 2005
082 00 $a759.5$222
100 1 $aPuttfarken, Thomas.$0http://id.loc.gov/authorities/names/n85244683
245 10 $aTitian & tragic painting :$bAristotle's poetics and the rise of the modern artist /$cThomas Puttfarken.
246 18 $aTitian and tragic painting
260 $aNew Haven :$bYale University Press,$c[2005], ©2005.
300 $avi, 240 pages :$billustrations (some color) ;$c27 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references (p. 225-233) and index.
505 00 $gPt. I.$tOn the status of painting in the Renaissance --$g1.$tPainting, poetry and the liberal arts --$g2.$tImitation, moral purpose and learning --$g3.$tTragedy --$gPt. II.$tTitian and tragedy --$g4.$tThe four great sinners --$g5.$tMichelangelo and Titian : Terribilita and tragic Pathos --$g6.$tTitian's mythological paintings : problems of interpretation --$g7.$tTitian's poesie for Philip II as painted tragedies --$g8.$tThe final tragedies and Titian's 'late style'.
520 1 $a"Late in his life Titian created a series of paintings - the 'Four Sinners', the 'poesie' for his patron Philip II of Spain, and the 'Final Tragedies' - that were dark in tone and content, full of pathos and physical suffering." "In this major reinterpretation of Titian's art, Thomas Puttfarken shows that the often dramatic and violent subject matter of these works was not, as is often argued, the consequence of the artist's increasing age and sense of isolation and tragedy. Rather, these paintings were influenced by discussions of Aristotle's Poetics that permeated learned discourse in Italy in the mid-sixteenth century."--BOOK JACKET.
600 00 $aTitian,$dapproximately 1488-1576$xCriticism and interpretation.
650 0 $aTragic, The, in art.$0http://id.loc.gov/authorities/subjects/sh2005002910
650 0 $aUt pictura poesis (Aesthetics)$0http://id.loc.gov/authorities/subjects/sh85141581
600 00 $aAristotle$xInfluence.
650 0 $aPainting, Renaissance$zItaly.$0http://id.loc.gov/authorities/subjects/sh2010106268
650 0 $aPainters$zItaly$xSocial conditions$y16th century.
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip0512/2005012042.html
852 80 $bfax$hND623 T53$iP98
852 00 $bbar$hND623.T7$iP87 2005