Record ID | marc_columbia/Columbia-extract-20221130-011.mrc:67423356:2673 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-011.mrc:67423356:2673?format=raw |
LEADER: 02673cam a22003734a 4500
001 5079310
005 20221109214153.0
008 040923t20052005cau b s001 0 eng
010 $a 2004022297
020 $a0520233743 (cloth : alk. paper)
020 $a0520241444 (pbk. : alk. paper)
035 $a(OCoLC)ocm56591962
035 $a(NNC)5079310
035 $a5079310
040 $aDLC$cDLC$dC#P$dOrLoB-B
042 $apcc
043 $an-us---
050 00 $aPN1992.8.A34$bG68 2005
082 00 $a791.45/652996073$222
100 1 $aGray, Herman,$d1950-$0http://id.loc.gov/authorities/names/n87871258
245 10 $aCultural moves :$bAfrican Americans and the politics of representation /$cHerman S. Gray.
260 $aBerkeley :$bUniversity of California Press,$c[2005], ©2005.
300 $aviii, 249 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aAmerican crossroads ;$v15
504 $aIncludes bibliographical references (p. 225-240) and index.
505 00 $tIntroduction : strategies, tactics, moves -- $g1.$tThe new conditions of black cultural production -- $g2.$tJazz tradition, institutional formation, and cultural practice -- $g3.$tThe Jazz left -- $g4.$tWhere have all the black shows gone? -- $g5.$tTelevision and the politics of difference -- $g6.$tDifferent dreams, dreams of difference -- $g7.$tCultural politics as outrage(ous) -- $g8.$tIs (cyber) space the place? -- $g9.$tMusic, identity, and new technology -- $tConclusion : cultural moves.
520 $a"Examines the importance of culture in the push for black political power and social recognition and argues the key black cultural practices have been notable in reconfiguring the shape and texture of social and cultural life in the U.S. Drawing on examples from jazz, television, and academia, Gray highlights cultural strategies for inclusion in the dominant culture as well as cultural tactics that move beyond the quest for mere recognition by challenging, disrupting, and unsettling dominant cultural representations and institutions. In the end, Gray challenges the conventional wisdom about the centrality of representation and politics in black cultural production"--Provided by publisher.
650 0 $aAfrican Americans on television.$0http://id.loc.gov/authorities/subjects/sh92000577
650 0 $aAfrican Americans$xMusic$xHistory and criticism.$0http://id.loc.gov/authorities/subjects/sh2007100204
830 0 $aAmerican crossroads ;$v15.$0http://id.loc.gov/authorities/names/n96113914
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip051/2004022297.html
852 00 $bglx$hPN1992.8.A34$iG68 2005