It looks like you're offline.
Open Library logo
additional options menu

MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-011.mrc:90588614:6816
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-011.mrc:90588614:6816?format=raw

LEADER: 06816cam a22003734a 4500
001 5200978
005 20221109232945.0
008 040810t20042004caua b 001 0 eng
010 $a 2004018977
020 $a0892367806 (hardcover)
020 $a0892367814 (pbk.)
035 $a(OCoLC)ocm56194795
035 $a(NNC)5200978
035 $a5200978
040 $aDLC$cDLC$dC#P$dOrLoB-B
042 $apcc
050 04 $aND1630$b.I87 2004
082 00 $a751.6/2$222
245 00 $aIssues in the conservation of paintings /$cedited by David Bomford, Mark Leonard.
260 $aLos Angeles :$bGetty Conservation Institute,$c[2004], ©2004.
300 $axvii, 581 pages :$billustrations (some color) ;$c27 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aReadings in conservation
504 $aIncludes bibliographical references (p. 549-559) and index.
505 00 $g1.$tMemoirs /$rNeri di Bicci -- $g2.$tOn the restoration of The circumcision by Signorelli /$rGiorgio Vasari -- $g3.$tInstructions for the restoration of a painting by Rogier van der Weyden /$rPhilip II of Spain -- $g4.$tLives of the illustrious Netherlandish and German painters /$rKarel van Mander -- $g5.$tRubens's mission to Spain in 1603 /$rMichael Jaffe -- $g6.$tNotes on cleaning /$rTheodore Turquet de Mayerne -- $g7.$tThe mellowing effects of time /$rJoseph Addison -- $g8.$tThe destructive effects of time /$rWilliam Hogarth -- $g9.$tAdvice on the restoration of the Spanish king's paintings /$rJean Ranc -- $g10.$tLetter to the Gentleman's magazine /$rAnonymous -- $g11.$tComments on restoration /$rJoshua Reynolds -- $g12.$tReport on the work of a Spanish restorer /$rFrancisco de Goya -- $g13.$tOn the preservation of pictures /$rHenry Mogford -- $g14.$tOn Turner's recent works /$rJohn Ruskin -- $g15.$tEdgar Degas and his restorer /$rAmbroise Vollard -- $g16.$tLetters to his restorer /$rJ. A. M. Whistler -- $g17.$tThe aesthetics of restoration /$rKenneth Clark -- $g18.$tOn conserving Rembrandt's paintings /$rJohannes Hell -- $g19.$tComment on a painting by Abbott Thayer /$rJohn Walsh -- $g20.$tAn accidence, or gamut, of painting in oil and water colours /$rJulius Caesar Ibbetson -- $g21.$tOn the restoration of the royal paintings of Venice /$rGiovanni O'Kelly Edwards and Pietro Edwards -- $g22.$tReport from the Select Committee on the National Gallery /$rSelect Committee on the National Gallery (London) -- $g23.$tDirt and pictures separated, in the works of the old masters /$rHenry Merritt -- $g24.$tThe cleaning of old paintings /$rLeo van Puyvelde -- $g25.$tThe cleaning of paintings : problems and potentialities /$rHelmut Ruhemann -- $g26.$tHistory of restoration /$rAlessandro Conti -- $g27.$tWho needs a conservator? /$rJohn Brealey -- $g28.$tThe display of paintings in public galleries /$rHerbert Lank -- $g29.$tThe art of painting in oil and in fresco /$rJean-Francois-Leonor Merimee -- $g30.$tPreservation of pictures /$rRichard Redgrave and Samuel Redgrave -- $g31.$tVolpato manuscript : preliminary observations /$rMary P. Merrifield -- $g32.$tVenetian methods /$rCharles Lock Eastlake -- $g33.$tUltra-violet rays and their use in the examination of works of art /$rJames J. Rorimer -- $g34.$tArt criticism from a laboratory /$rAlan Burroughs -- $g35.$tThe preparation and study of paint cross-sections /$rJoyce Plesters -- $g36.$tThe technique of the "Flemish primitives" /$rPaul Coremans -- $g37.$tMagilphs and mysteries /$rJohn Gage -- $g38.$tRembrandt : the painter at work /$rErnst van de Wetering -- $g39.$tPolite arts /$rRobert Salmon -- $g40.$tOn the modes of strengthening panels by Ledges or Battens /$rCharles Lock Eastlake -- $g41.$tHand-book for the preservation of pictures /$rHenry Mogford -- $g42.$tThe transfer of an oil painting from a panel onto canvas /$rUlisse Forni -- $g43.$tThe lining cycle /$rWestby Percival-Prescott -- $g44.$tRelining of easel oil painting with sturgeon glue /$rYashkina Larisa Ivanovna -- $g45.$tThe first transfer at the Louvre in 1750 : Andrea del Sarto's La Charite /$rGilberte Emile-Male -- $g46.$tOf mending and cleaning pictures and paintings /$rRobert Dossie -- $g47.$tThe art of restoration /$rVicente Polero y Toledo -- $g48.$tRestoration of the paintings of the Louvre /$rFrederic Villot -- $g49.$tManual for the painter-restorer /$rUlisse Forni -- $g50.$tThe idea of the perfect restorer /$rGiovanni Secco-Suardo -- $g51.$tOn oil paint and the conservation of painting galleries using the procedure of regeneration /$rMax von Pettenkofer -- $g52.$tShould missing areas of paintings be completed and what would be the best way to do so? /$rVictor Bauer-Bolton -- $g53.$tThe aesthetic and historical aspects of the presentation of damaged pictures /$rTwentieth International Congress of the History of Art, Princeton -- $g54.$tThe idea of patina and the cleaning of paintings /$rPaul Philippot -- $g55.$tThe crucifix by Cimabuc /$rUmberto Baldini and Ornella Casazza -- $g56.$tLong lost relations and new found relativities : issues in the cleaning of paintings /$rGerry Hedley -- $g57.$tSome picture cleaning controversies : past and present /$rSheldon Keck -- $g58.$tThe first cleaning controversy at the National Gallery, 1846-1853 /$rJaynie Anderson -- $g59.$tAntipathy to picture restorations /$rHenry Merritt -- $g60.$tInterview with George Lance /$rSelect Committee on the National Gallery (London) -- $g61.$tRestoration of the paintings of the Louvre : response to an article by Mr. Frederic Villot /$rEmile Galichon -- $g62.$t"Restoration" : the doom of pictures and sculpture /$rAbbott Thayer -- $g63.$tStorm over Velazquez /$rAnonymous -- $g64.$tAn exhibition of cleaned pictures /$rPhilip Hendy -- $g65.$tDark varnishes : variations on a theme from Pliny /$rErnst Gombrich -- $g66.$tDark varnishes - some further comments /$rJoyce Plesters -- $g67.$tCrimes against the cubists /$rJohn Richardson -- $g68.$t"Crimes against the cubists" : an exchange /$rLetters to the New York Review of Books.
520 1 $a"This volume will be of interest to teachers and students of conservation and art history, as well as to practicing conservators and museum curators, professionals in related disciplines, and others interested in art history and paintings conservation."--BOOK JACKET.
650 0 $aPainting$xConservation and restoration$vSources.
700 1 $aBomford, David.$0http://id.loc.gov/authorities/names/nr89001487
700 1 $aLeonard, Mark,$d1954-$0http://id.loc.gov/authorities/names/n91062603
710 2 $aGetty Conservation Institute.$0http://id.loc.gov/authorities/names/n85199077
830 0 $aReadings in conservation.$0http://id.loc.gov/authorities/names/n95107310
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/ecip0421/2004018977.html
852 80 $bfax$hN8560$iIs73